Kat Dahlia Quotes
Quotes to Explore
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Politics is the enemy of the imagination.
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When I was little it was a great time for film-making, with stuff like Mike Nichols' 'Silkwood.' The films you see in that pre-secondary-school stage stay with you in a very particular way.
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Thoughts without content are empty, intuitions without concepts are blind.
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After high school, I went to the University of Wisconsin Stevens Point for a year, and I studied musical theatre. By that point, I was like, 'This is what I want to do.'
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard loom weaves flowers and leaves.
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Modesty means admitting the possibility of error, subsuming the self for the good of the whole, remaining open to surprise and the gifts that only failure can bring. There are many ways to practice it. Try taking up golf. Or making your own bagels. Or raising a teenager.
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The coolest person to yourself is yourself, and we're like nerds, and we love to be smart, and that's okay.
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Novelists should be like scientists, dissecting the cadaver.
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If you write genre fiction, you follow the rules, and you have to follow them because readers expect that.
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In law school, I earned the respect of professors and served on the editorial board of 'The Yale Law Journal.'
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Luckily, I was raised by people who'd already seen all the yuck stuff, which is why they originally didn't want me to act. I understood the difference between getting a part at a Hollywood party and getting a job.
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A real friend is one who walks in when the rest of the world walks out.
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Yoghurt cuts sweetness and richness, tempers spice, and makes a dish sing.
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Notice the difference between what happens when a man says to himself, I have failed three times, and what happens when he says, I am a failure.
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The devil made me do it.
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Well, I think I was always sort of reflecting where I was and my sense of surroundings and ecology, urban or country, or foreign, living in Europe, very affected by all of that.
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I think the hardest thing about making music now is being a great dad at the same time. There's an insanity that goes with writing - a mad scientist thing that you have to go through - and sacrificing a kid's upbringing to do that is not an option.
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It really is a blessing when two people who are so full of dignity and kindness and really live to make the world a better place get together.
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'Savage Inequalities' was about school finance, and 'Amazing Grace' primarily dealt with medical and social injustices in New York. But with 'Ordinary Resurrections,' I had no predetermined agenda. When I met with the children, I was not in pursuit of any line of thinking. In our conversations, I let them lead me where they wanted to go.
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You want maybe to be that guy or one of the few guys who can help develop the game in the United States.
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Renunciation remains sorrow, though a sorrow borne willingly.
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I mean, it didn't matter to me that there were people, it didn't matter that I was shy Just the sound was so captivating that it helped me to get rid of those inhibitions.
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I just want people that like my music to like me.
