Sigmund Freud Quotes
Quotes to Explore
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I really like having a life outside work. I sometimes wish I did more career stuff and was in that Hollywood scene a bit more. But Toronto's my home.
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Only let it be in the name of Jesus Christ, that I may suffer together with Him! I endure everything because He Himself, Who is perfect man, empowers me.
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There were mornings in the make-up trailer where I'd have fits of laughter because of the extraordinary daily events of the shoot. Sometimes, it was all too much to believe. But the wildest things happened.
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When I'm in the midst of finishing a book, I can be working around the clock.
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The funniest line in English is 'Get it?' When you say that, everyone chortles.
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In the calculus of western interests, there is no suffering, whatever its scale, which cannot be justified. Chechens, Palestinians, Iraqis, Afghans, Pakistanis are of little importance.
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Dan Henderson, even when you're close and he hits you from very, very close, you can feel how heavy his hands are. His hands are pretty powerful.
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I'm very proud of 'Valhalla Rising.'
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Some movies are the kind you take home with you at the end of the day, and some, you can let go.
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I have become an adjective. There is something called a Rovian-style of campaigning and it's meant as an insult. One columnist said it consists mainly of throwing mud until it sticks. One prominent blogger described the elements of a textbook Rovian race as fear-based, smear-based and anything goes.
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Zoo animals are ambassadors for their cousins in the wild.
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It's the thing I struggle with every day: the mental diligence and stamina needed to sit in front of the computer, open the file, start writing and to keep doing so, word after word, until I've created the next story. A combination of learning disability and chronic health issues make that the hardest thing for me.
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And it's sad because it's like a surprise to people - almost an anomaly - when artists are actually refined and trained on an instrument. That's the last thing people think about.
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History will treat me right.
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I'm filming the next two installments of the 'Fifty Shades' movies back-to-back.
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What I've discovered and really confirmed to myself is that opera really likes loud colours, and you need something bold, something savage, unpredictable, passionate. You can't really run a two-hour opera round some muted murmuring.
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I was studying communications and acting, and I decided over the summer that I wanted to work on my acting skills and perform in a pageant. I didn't have any other way of practicing, so I entered the Miss Rhode Island pageant. I ended up wearing a dress that was a $20 rental. It was too short, and there was a hole in the back of it.
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Thinking will not overcome fear but action will.
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I like to read the paper online. And I love email. And I love nothing better than to be interrupted.
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I'm often asked what it takes to be 'Series A ready' in terms of metrics, progress, and traction. Unfortunately, there's no easy answer.
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You see on 'Britain's Got Talent' and 'X Factor,' they all wear ear plugs. But I could not hear myself when I wore them. So that is where the strong voice came from.
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We fall into the old stuff of textuality, and almost everything becomes safe because nobody wants to talk about what is not safe in poetry. We fall back on the psychologic, the ethnic, the quota, and serve the perpetuation of the machine.
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What are the sources of poetry? Love and death and the paradox of love and death. All poetry from the beginning is about Eros and Thanatos. Those are the only subjects. And how Eros and Thanatos interweave.
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When we share - that is poetry in the prose of life.
