Simon Sebag Montefiore Quotes
Quotes to Explore
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I made sacrifices willingly; it was what I did best.
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I've got a couple of Harleys and a couple of Ducatis.
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I loved Judy Garland. I thought she was such a classic beauty. I thought she was so endearing and charming, and I loved her voice. She was such a dreamer, and I think I was, too - and I am.
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Many people think fairy tales and retellings of fairy tales are only for children, but I'm not the only writer to take an old tale and retell it for a sophisticated adult audience.
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Improv as an actor makes you present in the moment. You listen, you're attentive. You're not acting so much as reacting, which is what you're doing in life all the time.
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Working on my knowledge and education and learning how to become a more talented and wise person make me feel more sexy.
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I've decided to study the MBA, as it's crucial to have comprehensive knowledge of business administration and management in running science technology institutes as well as making science-related policies.
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I keep on 5 to 10 pounds above my jeans weight, as the ultimate no-filler-needed refresher, and buy a size up on jeans.
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You can lead a horse to water and you can even make it drink, but you can't make actresses wear what they don't want to wear.
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The way I feel about music is that there is no right and wrong. Only true and false.
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We need to continue our full support of the nascent Iraqi government by helping to rebuild their economic infrastructure and maintain security while training the Iraqi security forces.
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It's a good giggle to look back at yourself in your 20s. You thought you were so fierce and fabulous, and it's just embarrassing.
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There isn't much of a music scene in Hermann, unless you like polka. But the landscape I grew up in is a part of me. I spent a lot of time in the woods doing a lot of nothing to break the boredom.
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It's not like learning how to hit a curve ball in baseball.
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I watch a lot of television, for better or worse, and I am particularly interested in what Michael Moore brought up in 'Bowling for Columbine,' which is the idea that they're selling a narrative of fear.
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Some actors don't want to, but I prefer to. I like to collaborate. Sometimes you have to keep it to yourself, and people want to do their own thing.
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Michael would take us on location and see how the colors worked in the forests and fields.
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But who can fathom the subtleties of the human heart? Certainly not those who expect from it only decorous sentiments and normal emotions.
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When you meet someone, a friend, who's living out on the road, or living semi-homeless, or leading their life in a radically different way, it makes you think about your own life in a really critical way and feel completely disoriented.
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Do I watch dancers as people? Yes, absolutely. Do I watch really good dancers for specifically who they are? Absolutely, because how they move best and how they look best is going to be most familiar to them, and not necessarily to me.
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In the simplest terms the question who or what caused the Second World War can be answered in two words: Adolf Hitler.
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With the DVR, I was mostly writing about it as a good thing in giving us the choice of when and how to watch things. But there's what we lose in the bargain, which is the collective spectacle. 'Did you see Jay Leno last night?'
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I have two little children. I didn't want to be missing their childhood while I was away, busy writing about children.
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Writing about Jerusalem was very stressful; every word counts.