Simon Sebag Montefiore Quotes
Quotes to Explore
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In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.
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I made sacrifices willingly; it was what I did best.
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I've got a couple of Harleys and a couple of Ducatis.
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I loved Judy Garland. I thought she was such a classic beauty. I thought she was so endearing and charming, and I loved her voice. She was such a dreamer, and I think I was, too - and I am.
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Many people think fairy tales and retellings of fairy tales are only for children, but I'm not the only writer to take an old tale and retell it for a sophisticated adult audience.
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Improv as an actor makes you present in the moment. You listen, you're attentive. You're not acting so much as reacting, which is what you're doing in life all the time.
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Working on my knowledge and education and learning how to become a more talented and wise person make me feel more sexy.
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I've decided to study the MBA, as it's crucial to have comprehensive knowledge of business administration and management in running science technology institutes as well as making science-related policies.
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I keep on 5 to 10 pounds above my jeans weight, as the ultimate no-filler-needed refresher, and buy a size up on jeans.
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You can lead a horse to water and you can even make it drink, but you can't make actresses wear what they don't want to wear.
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The way I feel about music is that there is no right and wrong. Only true and false.
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We need to continue our full support of the nascent Iraqi government by helping to rebuild their economic infrastructure and maintain security while training the Iraqi security forces.
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Unemployment determination in a modern economy was the main subject area of my research from the mid-1960s to the end of the 1970s and again from the mid-1980s to the early 1990s.
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It's a good giggle to look back at yourself in your 20s. You thought you were so fierce and fabulous, and it's just embarrassing.
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There isn't much of a music scene in Hermann, unless you like polka. But the landscape I grew up in is a part of me. I spent a lot of time in the woods doing a lot of nothing to break the boredom.
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It's not like learning how to hit a curve ball in baseball.
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Some people say they use images to help them remember intricacies. Others say they just remember. If they are able to form an image of the face, it is because they remember how it was: it is not that an image guides memory, but that memory produces an image, or the sense of imaging. We have no agreed way to talk clearly about such things.
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I watch a lot of television, for better or worse, and I am particularly interested in what Michael Moore brought up in 'Bowling for Columbine,' which is the idea that they're selling a narrative of fear.
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Some actors don't want to, but I prefer to. I like to collaborate. Sometimes you have to keep it to yourself, and people want to do their own thing.
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The paradox explored in my book 'The Innovator's Dilemma' is that successful companies can fail by making the 'right' decisions in the wrong situations.
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Gospel artists are messengers; they are vessels of a message.
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Because of what I did when I was 10 years old, I'm not living from paycheck to paycheck, and I can do things because I want to do them.
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The language itself is what gets me interested in writing. It's weird to me that words exist. Never a dull moment with words. They're a layer between our minds and the physical reality around us, obviously, but the layer seems like it's always in flux, like an asteroid belt, constantly moving.
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Writing about Jerusalem was very stressful; every word counts.
