Nicole Kidman (Nicole Mary Kidman) Quotes
When I was working with Stanley Kubrick on "Eyes Wide Shut", he would always say, "You never tell the audience what to feel. Let them choose to have their responses."

Quotes to Explore
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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I'm a TV junkie, so it's hard to choose just one. Currently I'm a slave to 'Black Sails,' 'Vikings,' 'Game of Thrones' and 'The Mindy Project.'
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The important thing is having genuine regard for your audience.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
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You as an audience can look at these things as films, but I remember them as social experiences.
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You know, it's a really adult thing, for some people, to choose to not be with the one that you love.
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When your life is as precious as all our lives are, then it needs to be kept precious and looked after and treated well. And that is not something we should be sharing with a wider audience.
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All writers, in all viewpoints, must choose which information and scenes will be presented, and in which order. In that sense, the author is always represented as a point of view in a work of fiction. His hand can always be detected by the discerning.
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The hardest times to choose love are the very times when you can most grow spiritually. In fact, they are the only times you can grow spiritually!
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I used to think the press was a necessary evil and now I don't think it is. I think it's something you choose.
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All serial killers want to win. They choose victims they can kill successfully.
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If you told me I could only do one thing, I would choose live concerts.
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I'm almost mentally incapable of drawing a distinction between art I make for the masses, or my clients, and that I make for myself. It all flows from what gets me off, ultimately. It's my viewpoint, and I don't particularly care if it gets seen by gallery patrons, magazine readers, internet audiences, or my friends, as long as it gets seen.
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A poem employs both the sound and the sense of language, it treats words not just as signifiers but as a plastic medium of artistic expression.
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When inspiration dies, imitation thrives.
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It is impossible to say when 37-year-old Benedict Arnold first met 18-year-old Peggy Shippen, but we do know that on September 25, 1778, he wrote her a love letter - much of it an exact copy of one he'd sent to another woman six months before. But if the overheated rhetoric was recycled, Arnold's passion was genuine.
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The minute you get a religion you stop thinking. Believe in one thing too much and you have no room for new ideas.
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When I was working with Stanley Kubrick on "Eyes Wide Shut", he would always say, "You never tell the audience what to feel. Let them choose to have their responses."