Sofia Villani Scicolone (Sophia Loren) Quotes
Quotes to Explore
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The reason we have cancer and heart disease is the same reason you can't get rid of the wear and tear on your tires on your car: as soon as you use them, you are wearing them away. You can't make eternal tires, and it's the same with the human body.
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And by endlessly sanitizing our feelings, we actually feed a disgruntled nation.
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So I'm in that half-hour business where the most money is, so that eventually I feel like the people that put on the Dupont show, like maybe my artistic effort is going to be a little different.
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When I say I'm an authentic conservative, it's because when you look at who I am and where I come from, it'd be a lot easier to have grown up a Democrat.
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The chemistry that you get from living with your band and creating music and recording with your band translates to the stage.
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Someone once said about me that I talk to everyone the same, no matter what age they are. I don't see kids and adults. I see everyone the same.
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I never had little brothers, so I was totally not used to hearing a lot of cussing at a young age! I learned what 'pull my finger' meant the hard way.
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When you're an athlete and you play every day and are conditioning yourself every year, the aging is gradual.
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I believe in that old adage that 'as goes California, so goes the country.'
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I grew up with horror. My dad loves movies, and he passed a lot of them on to me. There's something so fun about them.
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As America's nuclear strategic monopoly faded, the United States sought to create advantages elsewhere, notably in the peaceful cooperation between the United States and communist China under Deng Xiaoping.
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Sadly, black people disassociate ourselves from the things which make us who we are, identifying them as lesser, or inferior. It's a form of self hate. So, with reckless abandon, we strive to be like the majority.
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Live your life as though your every act were to become a universal law.
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From a pretty early age, my mother realized that I was a little bit more gifted and talented than my own age group. So, she moved me over to play with the boys' travel soccer team when I was about 11 years old.
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I hate downtime.
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Words - so innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them.
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I'm just fascinated by the past. You know, both by the possibilities it holds and by the complete tyranny of it, the way it sort of keeps you in this stranglehold and makes you want things that you no longer have and you can never get back.
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I want films to haunt an audience, to give them something to remember and be able to talk about.
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I have been very influenced by the director Maurice Pialat, who I continue to be in conversation and conflict with and get inspiration from.
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I always think it's ultimately my responsibility. I always start with myself. I haven't done a good job if we play a game like that. . . . You tell them, 'Here's the good, here's the bad.' It's a common-sense thing. This was disappointing for all of us.
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As a visual storyteller, a lot is learning what to include so you're not being redundant between images and text.
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I stand and listen to people speaking french in the stores and in the street. It's such a pert, crisp language, elegant as ruffling taffeta.
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I know how to say 'no' in twelve languages. That's enough for a woman.