Soren Kierkegaard Quotes
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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I believe in growth - in myself and in the characters I create.
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I'm not on fire for the Lord, so I tried to make myself generate this fire for the Lord.
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I think of myself as a cover girl. But I would never do some kind of cheesy magazine.
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Even if a university should turn out to be another version of a school, I had decided I could lose myself afterwards as an anonymous particle of the London I already loved.
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I second-guess myself all the time. I make a decision and then wonder if I made the wrong choice.
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For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.
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I allow myself to fail. I allow myself to break. I'm not afraid of my flaws.
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One of the first gardens I did outside the family was for the designer Hattie Carnegie. I was 23 then, and I went to her salon, but could not afford any of her dresses myself, though I loved them. Miss Carnegie suggested I do a garden in exchange for a coat and dress, and so I designed and planted a garden for her.
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An incident that left an impression on me was the 1999 sub-junior national boxing championship held in Calcutta. I had trained extremely hard to get there but got kicked out in the first round itself. 'If others can win, why can't you?' I repeatedly asked myself.
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I don't regret what I did in the Sixties. I was young and took myself terribly seriously. In the Seventies, I spent too much time in inner-party factional disputes.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I'd previously done 'Expelled,' and that was more on the comedy side, so I really wanted to challenge myself and see if I could actually do a drama.
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I'm never in my life going to do a record that's a tribute to myself. I don't need it.
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I'm shy, and I can hide behind my acting and discover the truth about myself because it's cathartic in that way. But I tend not to read reviews.
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I lost myself in the bubble of music - driving myself to be a success.
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When I stopped seeing my mother through the eyes of a child, I saw the woman who helped me give birth to myself.
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I actually hope people don't react to 'Impossible' in a way where they think it's terribly retro. The plot needed to do what it needed to do. But I'm a little surprised to find myself looking a little bit like an advocate of teen marriage. It takes some exceptional circumstances for that to be a reasonable idea.
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One unforeseen advantage of having a child was that it gave me the excuse to talk to myself to my heart's content and pretend it was for my daughters benefit.
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Both of my parents had a change of career. My mum was a nurse, and now she's a college lecturer.
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There are a lot of people who don't want things like fashion weeks to happen.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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Now, with God's help, I shall become myself.
