Soren Kierkegaard Quotes
Quotes to Explore
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I discovered Einstein said the same thing about his celebrated theories of relativity that writers say about their work when he said he didn't have any feelings of personal possession of these ideas. Once they were out there, they came from somewhere else. And that's exactly the feeling when you write. You don't feel possessive about it.
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I'll tell you something: my dad was a nuclear engineer and he was really bright, and I've always said that because of negotiating at such a young age with my dad, it was really such a gift because I could then negotiate with very difficult personalities - and not end up being the scapegoat. I learned to really pick and choose my battles.
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I'm an old trial lawyer.
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First they ignore you, then they laugh at you, then they fight you, then you win.
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Maybe one of the only things I do well: I cook like a maniac! I would be a chef if I weren't an actor.
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Unless you consider yourself some sort of human brand, which I don't, you have to deal with the fact that different people are going to like different aspects of your work. It's not consistent. I am not consistent. But I feel OK with that.
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I look for absurdly simple plots so that I can simply focus on the characters. Having an understanding of what dialogue's easy to say and hard to say - I think that that's helpful, too.
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My college friends call me Karu, which is the worst. Only in our country can we make a short form for a short name. But otherwise, I've never had a pet name all my life. But now, in official meetings, someone will call me KJo. And I'll judge that person in my head. Just call me Karan.
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I used to just sit in the living room and make up songs on the keyboard.
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One is taught by experience to put a premium on those few people who can appreciate you for what you are.
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I think it need realness, you should speak on thing that you know about, that you being from, that you experienced or that you been around, you know. I think you need a good hook, good beats and good lyrics.
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Every woman feels she is too old and has missed the boat.
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Mastering others is strength. Mastering yourself is true power.
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'In Praise of Slowness' chronicles the global trend towards deceleration that has come to be known as the Slow Movement. Don't worry, though: it is not a Luddite rant. I love speed. Going fast can be fun, liberating and productive. The problem is that our hunger for speed, for cramming more and more into less and less time, has gone too far.
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We just have to remember that we're all in this together and that we all want our state, and our country, to succeed.
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There is a difference between not understanding and being willfully obtuse.
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«Some aspects of the Spanish economy are going well, ... but it is not because you govern ... What has been your main virtue as a ruler? Not ruining the economy, and therefore I applaud. He could have razed everything he found, ... but no, he had the right to leave the economy as it was before.»
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‘She is a goddess,’ said Ambrose, drunkenly and stoutly. ‘…And she wants me. She’s the pursuer…She’s the epitome of woman, not,’ he said, ‘not a second-hand bundle of coy erogeneity draped,’ he said, ‘in an all-too-diaphanous robe,’ he said, ‘of pudeur.’
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History is full of people who out of fear or ignorance or the lust for power have destroyed treasures of immeasurable value which truly belong to all of us. We must not let it happen again.
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One of the things about writing a novel is you can do it any way you want. It's your voice that's important and I see absolutely no reason why a screenplay can't be the same. It makes it a hell of a lot easier when you're the writer and the director.
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I've photographed a lot of my good girlfriends, and it's given me a lot of anxiety because I don't want to let them down.
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Forget about what you are escaping from. Reserve your anxiety for what you are escaping to.
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I hope that in 5 years from now I'll be working and doing what makes me happy. Whatever that may be.
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Fate, then, is the nothing of anxiety.
