Ice T Quotes
Quotes to Explore
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I started composting in 1970 by taking my food scraps out behind where I lived and burying them in a hole next to the railroad tracks - and green things started to grow there!
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I did not grow up a cinefile. No one in my family was in the film business or even anything close to it.
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I had absolute freedom to create things on my own and in silence. No rush, the artificial rush by media. Certainly no rush to grow up. We had plenty of boyhood, plenty of girlhood.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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Anyone who says they want to make a game that becomes a cult classic is kinda screwy, right? I mean, you want to reach the largest audience you can.
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The important thing is having genuine regard for your audience.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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It is only because of problems that we grow mentally and spiritually.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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Young kids should be doing music that has shock value. They'll grow out of it.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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There will be some things I do well and things I do wrong. But I keep coming. Playing with heart. That's going to help me continue to grow.
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The film depends on the audience's belief in this relationship.
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It was a great time to grow up in Chicago. It was the mid-'80s, and we had the '85 Bears and the Michael Jordan era.
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I don't have a director. The audience directs me.
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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You know, we’re not on stage, we’re not doing a play, so we don’t have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
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Many people have complained that Imagined Communities is a difficult book and especially difficult to translate. The accusation is partly true. But a great deal of the difficulty lies not in the realm of ideas, but in its original polemical stance and its intended audience: the UK intelligentsia. This is why the book contains so many quotations from and allusions to, English poetry, essays, histories, legends, etc., that do not have to be explained to English readers, but which are likely to be unfamiliar to others.
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On the whole, it bums me out that lyrics seem to be written as afterthoughts nowadays. Not sure why this is, but hopefully things will come around again and bands will once again want to "communicate" "ideas" with their audience, and not just content themselves with providing attitude and atmosphere with clichés on top.
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I have a lot of Twitter rules. I never swear on Twitter, and if anybody's inappropriate, I block them. I have young followers.
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I have to grow with my audience.
