Sam Simon Quotes
Quotes to Explore
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People like me were supposed to be into exclusivity, unapproachable. That's what I hate most. I think it's very demode.
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I think millennials are a generation that's a little bit behind, maybe four or five years behind the previous generation, as far as when they buy a house.
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Consumerism is so weird. It's a sort of conspiracy we collude in. You'd think shoppers spending their hard-earned cash would be highly critical. You know that the manufacturers are trying to have you on.
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I think people do their bravest work when given an elusive canvas. That would be seemingly the weirdest, but also the most wonderful.
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When I come home from a shoot, I'd rather reheat food I've made than eat takeout.
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I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.
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I would prefer to be a citizen of an independent country rather than Emperor of an enslaved one.
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I love Rihanna. I think her style just pushes a lot of boundaries. My tomboy side takes inspiration from her.
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I think marriage is a beautiful thing. I'm still a supporter of it.
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I think we can leave mullets back in the '80s. I'm really not a big fan of them.
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I think I've written about family and things in 'Taipei' which could be considered Asian culture.
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I do think you get lonelier and lonelier being an artist as you get older.
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I'm so tired of this vision of fashion of a diva with a big ego, and you think of big dark glasses to be pretentious and keep far away from the people.
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We must think and act like a nation of a billion people and not like that of a million people. Dream, dream, dream!
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I've always been interested in how people think, how they react to challenges in their lives - what makes people tick. I've also always been passionate about social issues and causes, and I wanted to make films that addressed important issues in very human terms.
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I get tired of stories that keep going and going and never get anywhere. It's like a promise that's never fulfilled. Stories need endings. Otherwise, they aren't really stories. Just pages.
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I think I would make a good spy. I can sort of be a chameleon. People don't notice me very easily. I never get recognized.
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This is a way for artists to communicate directly to their fans. If you think of an artist like Bruno Mars, he's using Spotify, creating playlists and listening to music through it.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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Cover the canvas at the first go, then work at it until you see nothing more to add.
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I want to do just, like, regular art. Whatever is made today on canvas goes up against all of art history. It's the most radical thing.
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And when they encounter works of art which show that using new media can lead to new experiences and to new consciousness, and expand our senses, our perception, our intelligence, our sensibility, then they will become interested in this music.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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I'd rather be nauseous than tired, I think.
