Stanley Kubrick Quotes
Quotes to Explore
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I'm the youngest of four, but my closest sibling is 10 years older. I had a lot of imagination. I was running around playing little games by myself. But I never thought I was going to be an actor.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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The film industry is mostly about unidimensional characters.
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The problems with First Ladies is that you have to set the standard. My role is to be both star and slave.
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All my brother Eliot and I did as kids was film sketches.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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Imagination is a very potent thing, and in the uneducated often usurps the place of genuine experience.
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There's no great mystery to acting. It's a very simple thing to do but you have to work hard at it. It's about asking questions and using your imagination.
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A film has its own life and takes its own time.
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The product of the scientific imagination is a new vision of relations - like that of artistic imagination.
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Imagine what a harmonious world it could be if every single person, both young and old shared a little of what he is good at doing.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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With the world as it now presents itself, there is something perverse, and probably dysfunctional, about a person who stays in the same house for 40 years. What about the expanding family syndrome, the school-lottery migration, the property portfolio neurosis? Have you no imagination?
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Beautiful film music can be made relevant to any period.
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The suicide bomber's imagination leads him to believe in a brilliant act of heroism, when in fact he is simply blowing himself up pointlessly and taking other people's lives.
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Intelligence is the wife, imagination is the mistress, memory is the servant.
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'Perfect Sense' is a film about love and catastrophe, which I hope is a powerfully romantic and emotional take on the apocalyptic sub-genre. Its aim is to be a minimalist concept movie - where seismic events occur in simple ways that ask the audience to use their imagination.
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I was a strange, loud little kid who could sit at the piano and kill a Beethoven piece.
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People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
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I write because it gives me the greatest possible artistic pleasure to write. If my work pleases the few I am gratified. As for the mob, I have no desire to be a popular novelist. It is far too easy.
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Every time I rise up, I have confidence that I'm going to make it.
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Miserable mortals who like leaves at one moment flame with life eating the produce of the land and at another moment weakly perish.
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I'm a slave to my imagination in terms of making narrative films.
