Stanley Kubrick Quotes
The reality of the final moment, just before shooting the scene, is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
Quotes to Explore
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Everything you need you already have. You are complete right now, you are a whole, total person, not an apprentice person on the way to someplace else. Your completeness must be understood by you and experienced in your thoughts as your own personal reality.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Sometimes you've got to know when it's time to leave the party.
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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You just do the best you can with what you've got... and sometimes magic strikes.
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I have a constitutional weakness in which I am very easily distracted by flashing lights. If there is a TV on in the room, I can't have a conversation with you. I won't eat, I won't sleep, I'll just meld with my couch.
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'Forrest Gump' is filled full of moments where your heart just cheers.
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I definitely use my music to kind of alleviate my stress and get me through specific moments in time where I'm just being really tough on myself.
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One of the reasons I've gotten so attached to talking to scientists is that... they know there is a reality.
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All my brother Eliot and I did as kids was film sketches.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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People who watch 'Transporter' are maybe asking a little less about reality, being serious, and so on.
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Anna Wintour is the most powerful woman in the global fashion industry, the first lady of fashion. She's a politician; I'm a stylist. They are two very different jobs.
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It is often said that men are ruled by their imaginations; but it would be truer to say they are governed by the weakness of their imaginations.
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I love stories with love in them. I just prefer those films. Every so often, I come across a film where there's no love story. It doesn't have to be romantic, but there's a lack of love, and I don't get that.
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I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.
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I'm very scared sometimes that fashion might attack its own magic by the amount of exposure.
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The people I idolized I saw once a year on the Tony Awards. I would buy the cassette tapes of the various Broadway shows and scour the photos inside the recording package. That's how I exposed myself to the arts - New York and professional theater felt like a very distant thing.
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I've always believed in people's capacity for goodness. I still believe that people are good. What I'm not so trusting about anymore is their relationship to their own goodness.
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I'll tell you one thing, in what I do for a living, there's no substitute for experience. I don't care how much natural talent you may have... In the type of show I do, you can depend on surprises.
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It feels really good but it doesn't really feel a whole lot different. The biggest difference is that you walk into a store and it's there but that could've been accomplished without Columbia. I just think that it's cool to have the opportunity and I'm proud of it. I think it's the best album I've done so far.
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The reality of the final moment, just before shooting the scene, is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
