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I lived in Rome for about five or six months during Life Aquatic.
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After Bottle Rocket, I started getting acting work. People started offering me roles in movies. It wasn't something that I thought about as a kid growing up in Texas. Actually, maybe I would have thought of it as a possibility, but it seemed so crazily far-fetched to think that you could work in movies that I really didn't ever quite imagine it. It was just lucky.
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James L.Brooks is just a very original person. So that was definitely the luckiest, most important thing that happened to me meeting him. Then I guess also meeting Ben Stiller. He cast me in the only thing I think I ever auditioned for and got: Cable Guy 1996. And that led to us becoming friends.
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Maybe because I began as a writer, I have a good ear for dialogue, and maybe being an English major - and that I also read a lot as a kid - if I hear somebody say something that I think's funny, or I find a situation or story, I'll try to work that into the movie.
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Hansel is certainly about comfort, while still sort of having a peacock principle of wanting to attract attention.
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There's something people find hilarious about dogs surfing and dancing and talking in the movies. I think it's nice for people - I think it's wish fulfillment - to see animals talking.
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I like the Valentino store in Rome.Because in Rome when I'd be riding my bike, that store is right next to the Spanish Steps, and it gets so crowded there, so I could sometimes duck into the Valentino store and go up to the top floor and have a little espresso and just relax and take it easy.
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I haven't seen a lot of screwball comedies, and I don't think of myself as loving the genre. To me it sounds like, okay, you're going to be in a lot of crazy situations that are unbelievable.
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I love Francis Bacon. I just saw a great Jackson Pollock exhibit at the Dallas Museum when I was home for Thanksgiving.
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In Rome, I loved seeing the Caravaggios. There are churches in Rome that have Caravaggios, and there's one, not far from Piazza Navona, that has the best, I think: St. Matthew with the money.
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The movies I've done with Wes Anderson have a much different quality than some of the more broad comedies. But what is interesting is how many sequels I've done. I've worked with Ben Stiller a million times now, and this is yet another sequel we're doing. I guess we're lucky to be in some movies that people wanted to see again.
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It's not enough just to be real; you have to try to make it interesting or entertaining.
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My mother photographed Donald Judd in Marfa, Texas, right before he passed away. He was actually the first artist whose work I collected. I just loved the photographs that my mom had done of Donald Judd and the installations in Marfa.
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I guess that's the thing about Rome: It never changes.