Owen Wilson Quotes
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You know, I sometimes think, how is anyone ever gonna come up with a book, or a painting, or a symphony, or a sculpture that can compete with a great city. You can't. Because you look around and every street, every boulevard, is its own special art form and when you think that in the cold, violent, meaningless universe that Paris exists, these lights. I mean come on, there's nothing happening on Jupiter or Neptune, but from way out in space you can see these lights, the cafés, people drinking and singing. For all we know, Paris is the hottest spot in the universe.
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Men love to trust God (as they profess) for what they have in their hands, in possession, or what lies in an easy view; place their desires afar off, carry their accomplishment behind the clouds out of their sight, interpose difficulties and perplexities -- their hearts are instantly sick. They cannot wait for God; they do not trust Him, nor ever did. Would you have the presence of God with you? Learn to wait quietly for the salvation you expect from Him.
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I think somebody like Wes Anderson has a very good sense of style and is original. I think my sense of style got a little bit better after I was exposed to you guys at Valentino. Because I'm just in Hawaii and Malibu; it's just kind of T-shirts and surfing-type stuff.
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You know how they say we only use 10 percent of our brains? I think we only use 10 percent of our hearts.
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The way Woody Allen directs, there isn't a lot of direction. He kind of might give a few gentle suggestions, but he really says right from the first day, "Just make it sound natural, and if you don't like something, put it in your own words." And Woody Allen gives you a lot of freedom and just very polite.
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It was nice that you guys have such a good sense of humor, because some people don't have the ability to laugh at something.
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I became sort of an aficionado on the Valentino pajamas, because I like those so much.
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Film is definitely a director's medium. They're responsible for the look and everything, and you're a part of that process as an actor, and you try to contribute to the story. But I think it might sound a little pretentious for me to say I think of myself as an artist. I think of myself as a creative person.
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I saw Ben Stiller's movie Walter Mitty 2013; it's very beautiful. You look at some of the movies John Ford did with John Wayne and Jimmy Stewart, and then look at Remington and Ansel Adams, and I think you see a connection, certainly in the imagery of the West.
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I think of Terrence Malick's movie Days of Heaven - one of Richard Gere's first movies - you can push pause on almost any image in the movie and it looks like a painting.
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I was in Rome this time for about three or four months, and I feel like, by the time I left, every single person in Rome had seen me at least 10 times riding my bicycle. When I first got there, it seemed like people were happy to see me and would say hello. And by the end, they were kind of bored of seeing me. And it was like, "Ugh, there he goes again".
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Maybe that's why there's an insecurity sometimes in acting, because it's not like there's a correlation between hard work and how people receive you.
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You know you're in love when you wear condoms while having sex with other women.
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If someone doesn't want me, I'm not going to hang around and win them over.
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Acting is more fun than writing. Writing is harder, more like having a term paper.
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It isn't so much that I choose the roles - I mean, I guess there's a little bit of a selection process - but it's more just what people offer you.
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I remember working with Jackie Chan on Shanghai Noon 2000, and when we were working on the script, I thought that my character thought about being an outlaw the way a kid today would think about being a rock star, as a way to impress girls. So it was just kind of a funny idea, but once we had that idea, it changed the character and made it something that was funnier to me to play.
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True love is your souls recognition of its counterpoint in another.
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I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining 1980. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".
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I try to find a way to make it comfortable or interesting or funny to me.
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The first thing I remember is Alexander Calder - our school took us on a field trip to go see the Calder mobiles, and that always stuck in my memory.
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There's what is on screen and then for us, it's if you get along with the people and enjoy showing up at work.
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I think for Wes Anderson and me, the most important thing was James L. Brooks producing our first movie and giving us a chance to come to Hollywood, because without him, we might never have gotten the chance.
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After Bottle Rocket, I started getting acting work. People started offering me roles in movies. It wasn't something that I thought about as a kid growing up in Texas. Actually, maybe I would have thought of it as a possibility, but it seemed so crazily far-fetched to think that you could work in movies that I really didn't ever quite imagine it. It was just lucky.