Stephanie Rawlings-Blake Quotes
That very aggressive, unapologetic leadership style is needed in Washington, D.C., and I'm not afraid to tackle big issues.
Quotes to Explore
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My style is very inspired by both my parents, so we all have the same taste.
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A lot of newspaper columns used to be written in a rat-a-tat-tat, fast-paced style - and they tended to be funny. They were a little relief from the grimmer, grayer parts of the newspaper, and one of the best people at doing this was Will Rogers.
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In the long run, we need to build a leadership force of people. We have a whole strategy around not only providing folks with the foundational experience during their two years with us, but also then accelerating their leadership in ways that is strategic for the broader education reform movement.
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I grew up riding horses since I was eight. I rode English style and competed every weekend. I had two horses, Scout and Camille, and they were my babies. It taught me a lot about responsibility and commitment. I hope horses will always be in my life.
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I really admire people who have a natural sense of style. They have a super power.
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I've always been obsessed with style and glamor and if I want anyone to get anything out of my book, it's how we can all have them in our lives.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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Not that I want to put the entire rap music style down - I just don't like it. And I know somewhere there's gotta be another guy like that. There's gotta be a guy just like that - just like me. There's gotta be somebody, somewhere... Maybe, maybe an assassin type.
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Teach For America is working hard to be one significant source of the leadership we need.
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I went to a Catholic school, so of course we had to wear uniforms. My only form of expression was in shoes and the style of my hair.
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I try not to get trapped in any one musical or visual style at all.
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This is unexpected... like squirt from aggressive grapefruit.
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There's no such thing as trends. There's no such thing as style, even. It's just whatever you feel.
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I don't think my background in Zambia has really affected my lens because my classical training has been Western-style. But it's fantastically fortuitous to have been born African because I don't feel I have a vested interest to the U.S. or China or wherever.
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I told her it was a bigger than life musical, that all the actors were going to be about the same age, late twenties into thirties. It would be a style; a kind of surreal high school.
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I have been chastised by a president, I have antagonized and angered presidents, and I have taken on my own leadership.
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All my editors since Malcolm Cowley have had instructions to leave my prose exactly as I wrote it. In the days of Malcolm Cowley, with 'On the Road' and 'The Dharma Bums', I had no power to stand by my style for better or for worse.
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Leadership cannot really be taught. It can only be learned.
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I don't want to put myself in any kind of a box as far as my sound goes, because being an artist is fluid. If you look at a painter's work, a lot of times, it's similar in style, but other times - over even a year's period - it can change so much. I'm just going with the flow.
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I'm always changing my style.
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There's probably a lot of people wondering if I can play.
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It just worries me that if we start trying to erase history that we can learn from, where does that end? Do you start taking away books people find offensive? It's just a path that seems very dangerous to me in this country.
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I don't think an artist should keep themselves categorized in a specific box.
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That very aggressive, unapologetic leadership style is needed in Washington, D.C., and I'm not afraid to tackle big issues.
