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My general take on American music since 1969 is that it's just getting stiffer and people are getting more uptight - audience, performance, and palace guard.
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I'm really not good with the pickups. I'm a klutz and don't have a line of gab. I'm only good if they know who I am. So I'll just sit and wait for somebody to say, 'Aren't you ... ?' and then go from there.
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I like music that's more offensive. I like it to sound like nails on a blackboard, get me wild.
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The most successful stuff is sold to you as indispensable social information. The message in the music is, 'We are terribly, terribly slick and suave, and if you listen to us, you can probably get a leg up in society, too.'
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It's more fun to look at an old picture of me than it is to look at a new one sometimes. Although, I still wear a dress pretty well.
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I never believed that U2 wanted to save the whales. I don't believe that The Beastie Boys are ready to lay it down for Tibet.
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If I don't terrorize, I'm not Pop.
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Musical types tend to combine the burden of the author with the burden of the actor.
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It's fair to say that I have a side that is prudent and a side that is not.
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If you give a good performance, something that gets some feeling across to people, that's such a rare gift. It's underestimated at this point in history, when the music biz is inevitably turning into a kind of politics.
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In 1965, when great young white artists in the English-speaking world were successfully re-channeling hillbilly and black music - you know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - they didn't get any money at first. They were all broke.
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When punk began to be a genre, people were going to go out and try to mine it. Some of the better groups, like the Ramones and the Sex Pistols, were very artificial.
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The people who were learning from me tended to be more commercial performers who were gonna rip off the salient idea to do it in a way that will sell, but they weren't going for the music.
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What some people would call antics, I would just call a good show.
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You say I look goofy? OK, great. You say it's comedy? Great. Whatever anyone thought, I didn't care. Could be goony, could be sexy, could be stupid, could be cool. I didn't know, but as long as it was something, you know?
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Well, I don't use the toilet much to pee in. I almost always pee in the yard or the garden, because I like to pee on my estate.
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What I do on stage has utterly no purpose.
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I became Iggy because I had a sadistic boss at a record store. I'd been in a band called the Iguanas. And when this boss wanted to embarrass and demean me, he'd say, 'Iggy, get me a coffee, light.'
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Look, you're here to see me, and I can't go on until my dealer is here, and he's waiting to be paid, so give me some money so I can fix up, and then you'll get your show.
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Second only to the sea, the Miami sky has been the greatest comfort in my life past 50. On a good day, when the wind blows from the south, the light here is diffuse and forgiving.
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Well, the stuff that has become more commercial doesn't have any edge.
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I stare at myself in the mirror and I think, 'Wow, I'm really great-looking.'... I think I'm the greatest, anyway.
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This town is diverse as shit. I like it here a lot.
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Studios are like hospitals. A lot of people check in, and they don't check out.