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My general take on American music since 1969 is that it's just getting stiffer and people are getting more uptight - audience, performance, and palace guard.
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I'm really not good with the pickups. I'm a klutz and don't have a line of gab. I'm only good if they know who I am. So I'll just sit and wait for somebody to say, 'Aren't you ... ?' and then go from there.
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The most successful stuff is sold to you as indispensable social information. The message in the music is, 'We are terribly, terribly slick and suave, and if you listen to us, you can probably get a leg up in society, too.'
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It's more fun to look at an old picture of me than it is to look at a new one sometimes. Although, I still wear a dress pretty well.
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I like music that's more offensive. I like it to sound like nails on a blackboard, get me wild.
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Musical types tend to combine the burden of the author with the burden of the actor.
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I never believed that U2 wanted to save the whales. I don't believe that The Beastie Boys are ready to lay it down for Tibet.
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What some people would call antics, I would just call a good show.
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If I don't terrorize, I'm not Pop.
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In 1965, when great young white artists in the English-speaking world were successfully re-channeling hillbilly and black music - you know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - they didn't get any money at first. They were all broke.
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Well, I don't use the toilet much to pee in. I almost always pee in the yard or the garden, because I like to pee on my estate.
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When punk began to be a genre, people were going to go out and try to mine it. Some of the better groups, like the Ramones and the Sex Pistols, were very artificial.
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If you give a good performance, something that gets some feeling across to people, that's such a rare gift. It's underestimated at this point in history, when the music biz is inevitably turning into a kind of politics.
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It's fair to say that I have a side that is prudent and a side that is not.
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The people who were learning from me tended to be more commercial performers who were gonna rip off the salient idea to do it in a way that will sell, but they weren't going for the music.
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What I do on stage has utterly no purpose.
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I became Iggy because I had a sadistic boss at a record store. I'd been in a band called the Iguanas. And when this boss wanted to embarrass and demean me, he'd say, 'Iggy, get me a coffee, light.'
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You say I look goofy? OK, great. You say it's comedy? Great. Whatever anyone thought, I didn't care. Could be goony, could be sexy, could be stupid, could be cool. I didn't know, but as long as it was something, you know?
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Second only to the sea, the Miami sky has been the greatest comfort in my life past 50. On a good day, when the wind blows from the south, the light here is diffuse and forgiving.
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Look, you're here to see me, and I can't go on until my dealer is here, and he's waiting to be paid, so give me some money so I can fix up, and then you'll get your show.
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Well, the stuff that has become more commercial doesn't have any edge.
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Studios are like hospitals. A lot of people check in, and they don't check out.
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I stare at myself in the mirror and I think, 'Wow, I'm really great-looking.'... I think I'm the greatest, anyway.
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Yeah, she's heard the war stories ... I tell it all to her. I think one has to, because one wants to know somebody, and one wants to feel that somebody knows one. I mean, the embarrassment quotient has been going down for a long time, and the fond amusement has been rising.