Stephen Sondheim Quotes
I was never much of a reader. I'm a slow reader, which is unusual, because I'm so into language and I love words so much. But it's hard for me to read.
Quotes to Explore
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So many Indian novels, quite unfairly, do not get the prominence they should because they have been written in a language other than English.
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Few words in any language carry such a load of meaning as 'honor.' It is an old word, unchanged even in its spelling from classical Latin to modern English. Spoken or written, it does not seem to require much explanation; most people think they know what it means.
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Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
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Learning another language is not only learning different words for the same things, but learning another way to think about things.
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I think you can really tell a good actor if you can put a camera on them and they can just talk and emote and react and you don't have to keep cutting away from them, because they are the language and the behavior. It's all a tour-de-force performance.
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English is my second language, but in Hong Kong, they don't know that I'm from China. They think I'm from Hollywood because all the films they see are from here. China and Hong Kong are very different places, but they're starting to merge. Still the culture is very different.
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Genes are like the story, and DNA is the language that the story is written in.
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Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.
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Screaming is hard after a while.
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If only I could step back into the time of old movies, if only I could be given the opportunity to do what Katharine Hepburn did or what Rosalind Russell did. Those kinds of characters, that kind of patter, that kind of language, that kind of script. They don't exist any more.
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I've gotten to do a lot of stuff, traveled, worked hard at my career.
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Who you know, 10 albums later, get better than he's ever been before? It's hard. To come from all this huge success like a 'What's Love,' and a 'Lean Back,' then take it back to the street with 'The Darkside.'
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I think with all my books, language has been their subject as much as anything else. Language can elide or displace or sideline whole groups of people. You can't necessarily change the way language is used, but if it becomes something you're conscious of... that gives you a certain power over it.
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The relations between rhetoric and ethics are disturbing: the ease with which language can be twisted is worrisome, and the fact that our minds accept these perverse games so docilely is no less cause for concern.
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The quality of our thoughts is bordered on all sides by our facility with language.
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The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.
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I thought it was respectful to each country to sing in their language.
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I think literary theory has not been terribly good for English studies in a while. It's not that theory isn't interesting, but it isn't about books, or the idiosyncrasies and complexities of putting language together.
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Post-structuralism is among other things a kind of theoretical hangover from the failed uprising of ‘68, a way of keeping the revolution warm at the level of language, blending the euphoric libertarianism of that moment with the stoical melancholia of its aftermath.
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'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it.
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One thing is certain: Nothing will set you apart from culture more than the exclusive claims of Christianity. And it is here that we must intentionally set ourselves apart-because if we do not, we will have no message for the world!
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I always wanted to do something related to the camera. When you are young, these are dreams you feel embarrassed talking about. You don't want to be made fun of. That would leave a scar on an young mind.
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I was never much of a reader. I'm a slow reader, which is unusual, because I'm so into language and I love words so much. But it's hard for me to read.
