Stephen Sondheim Quotes
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Can't we just pursue our lives With our children and our wives Till that happy day arrives How do you ignore All the witches All the curses All the wolves, all the lies The false hopes, the goodbyes . . .
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The more you cling to things, The more you love them, The more the pain you suffer, When they're taken from you.
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Into the woods--you have to grope, But that's the way you learn to cope. Into the woods to find there's hope Of getting through the journey.
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I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.
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By the time I was 22, I was a professional. A young and flawed professional, but not an amateur.
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I'm sure many writers have these strange, tiny little habits.
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I took piano lessons when I was 6. I didn't want to go on with it. I don't remember being moved by a piece of music.
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Math and music are intimately related. Not necessarily on a conscious level, but sure.
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It's not so hard to be married, I've done it three or four times.
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The art of making art, is putting it together.
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Careful the spell you cast, not just on children. Sometimes the spell may last Past what you can see And turn against you... Careful the tale you tell. That is the spell.
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Work is what you do for others, liebchen. Art is what you do for yourself.
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I chose and my world was shaken. So what? The choice may have been mistaken; the choosing was not. You have to move on.
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Music straightjackets a poem and prevents it from breathing on its own, whereas it liberates a lyric. Poetry doesn't need music; lyrics do.
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The concerts you enjoy together/ Neighbors you annoy together/ Children you destroy together,/ That keep marriage in tact.
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My main goal is to tell a story.
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Stay a child while you can be a child.
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You have to be submitted for the Pulitzer, and unbeknownst to us, a choral director whom I know had submitted us.
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It's age. It's a diminution of energy and the worry that there are no new ideas. It's an increasing lack of confidence. I'm not the only one. I've checked with other people.
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I like murder mysteries, the Agatha Christie kinds of things where you know that it's all going to be neatly wound up at the end.
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If you're dealing with a musical in which you're trying to tell a story, it's got to sound like speech. At the same time it's got to be a song.
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Art is craft, not inspiration.
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Best to take the moment present as a present for the moment. . .
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You get used to the exact amount of space between lines. You write a word and then you write an alternate word over it. You want enough room so you can read it, so the lines can't be too close.