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When I was growing up, there was no such thing as Off-Broadway. You either got your show on or you didn't.
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What justifies a character singing one idea for 3 minutes on the screen? I get impatient and want the story to carry on. I don't get impatient in the theatre.
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It's not so hard to be married, I've done it three or four times.
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I like murder mysteries, the Agatha Christie kinds of things where you know that it's all going to be neatly wound up at the end.
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You have to be submitted for the Pulitzer, and unbeknownst to us, a choral director whom I know had submitted us.
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On stage, generally speaking, the story is stopped or held back by songs, because that's the convention. Audiences enjoy the song and the singer, that's the point.
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Let the moment go. . . . Don't forget it for a moment, though. Just remembering you've had an "and" when you're back to "or" makes the "or" mean more than it did before. . . . Now I understand! And it's time to leave the woods.
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The nice thing about doing a crossword puzzle is, you know there is a solution.
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I like songs that are part of a dramatic texture, and therefore I like the scenes to be active. I wanna follow the story and that means you lean on the actors.
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If you're dealing with a musical in which you're trying to tell a story, it's got to sound like speech. At the same time it's got to be a song.
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Bit by bit, putting it together... Piece by piece, only way to make a work of art. Every moment makes a contribution, Every little detail plays a part. Having just the vision's no solution, Everything depends on execution, Putting it together, that's what counts.
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I'm sure many writers have these strange, tiny little habits.
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Art is craft, not inspiration.
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If you told me to write a love song tonight, I'd have a lot of trouble. But if you tell me to write a love song about a girl with a red dress who goes into a bar and is on her fifth martini and is falling off her chair, that's a lot easier, and it makes me free to say anything I want.
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I started listening to classical music when I was in my early teens. Prior to that, I listened to pop records or band records.
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The concerts you enjoy together/ Neighbors you annoy together/ Children you destroy together,/ That keep marriage in tact.
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Making lyrics feel natural, sit on music in such a way that you dont feel the effort of the author, so that they shine and bubble and rise and fall, is very, very hard to do. Whereas you can sit at the piano and just play and feel youre making art.
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That's the trouble with awards for a body of work. They always come at both a good time and a wrong time. Good because they tell you what you've been doing was worth the doing and wrong because they ought to come when you're young and excited and hungry for assurance that what you're doing is worth the doing.
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A close-up on screen can say all a song can.
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The art of making art, is putting it together.
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Oh if life were made of moments Even now and then a bad one--! But if life were only moments, Then you'd never know you had one.
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I don't listen to recordings of my songs. I don't avoid it, I just don't go out of my way to do it.
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Generally, the best recording is the original cast, because that's the way the piece grew: integrally, with them.
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White. A blank page or canvas. The challenge. Bring order to the whole Through design, composition, tension, balance, light, and harmony.