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I love computers. I love writing on them. I love gadgetry. The thing is: I am a slow reader. So, if I am going to get my work done, I read, like, a newspaper and that's it. If I got into websites and the internet, I wouldn't get any work done.
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I've always liked puzzles, since I was a kid. I like party games, silly games. I loved chess. I enjoy jigsaw puzzles, but I'm not particularly visual.
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Sometimes I'll ask the book writer to write a monologue, not to be performed, just as if they were notes for the character.
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TODD: The history of the world, my love -- LOVETT: Save a lot of graves, Do a lot of relatives favors! TODD: Is those below serving those up above! LOVETT: Ev'rybody shaves, So there should be plenty of flavors! TODD: How gratifying for once to know BOTH: That those above will serve those down below!
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Into the woods you go again You have to every now and then Into the woods, no telling when Be ready for the journey Into the woods, each time you go There's more to learn of what you know.
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Everyone I used to play with has either given up or is dead.
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I'm before him on my knees, and he kisses me He assumes I lose my reason and I do. Men are stupid, men are vain, Love's disgusting, love's insane, A humiliating business-oh how true.
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They all deserve to die. Even you, Mrs. Lovett Even I. Because the lives of the wicked should be made brief For the rest of us death would be relief.
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Lyrics have to be underwritten. That's why poets generally make poor lyric writers because the language is too rich. You get drowned in it.
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So many good songs get written fast, because you know exactly what has to work.
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I fell into lyric writing because of music. I backed into it.
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I was never much of a reader. I'm a slow reader, which is unusual, because I'm so into language and I love words so much. But it's hard for me to read.
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Writing is a form of mischief.
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I don't like the word 'career'. When somebody says to me, 'oh, you've had such a wonderful career', I think, 'career - that's after you're dead.' I just don't think that way.
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One of the hardest things about writing lyrics is to make the lyrics sit on the music in such a way that you're not aware there was a writer there.
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It should be interesting to see two entirely different ways to treat a story, geared for two entirely different kinds of audience.
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For me it's more fun to find an unexpected moment for a character to sing when you don't expect them to.
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The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them.
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I really don't want to write a score until the whole show is cast and staged.
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If I got involved with the chat rooms and Facebook and everything - I would probably never leave. That's why I don't do it. I literally don't do it. At all.
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Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.
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It's age. It's a diminution of energy and the worry that there are no new ideas. It's an increasing lack of confidence. I'm not the only one. I've checked with other people.
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You get used to the exact amount of space between lines. You write a word and then you write an alternate word over it. You want enough room so you can read it, so the lines can't be too close.
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He came from a rock band and even though he was not a lead singer, I knew he was musical just from that. I also knew that he was intelligent enough from talking to him, that he would not play this part unless he could handle it vocally. I knew he was not about to get up there and have to have his voice dubbed or come off croaking. So Johnny Depp casted Johnny Depp. I trusted him entirely. I knew that he was no fool and he would only do it if he felt he could handle it. I told him to listen to the score carefully and if you can handle it, fine by me, and I was right.