Stephen Sondheim Quotes
I get some flak for and some resistance from colleagues for because I'm interested in storytelling. I mean what I like about songwriting is songs used to tell a story.
Quotes to Explore
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I really love storytelling.
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There is a one-in-300 chance that Earth will be struck on March 16, 2880, by an asteroid large enough to destroy civilization and possibly cause the extinction of the human race. But, on the bright side, Prince could re-release his hit song with the new refrain 'We're gonna party like its twenty-eight seventy-nine.'
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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We wanted to write a whole song about partying and then taking Yellow Cabs home. That's the weirdest topic we've ever thought of centering a song around.
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It's kind of exhilarating, walking through a crazy, insane mob. The most miraculous process is watching a song go from a tiny idea in the middle of the night to something that 55,000 people are singing back to you.
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Sometimes the song title comes with the songs, other times you just sorta make something up afterwards.
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Hey Jude, don't make it bad Take a sad song and make it better. Remember to let her into your heart Then you can start to make it better.
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Sing the rapturous love-song unto me! Burn to me perfumes! Wear to me jewels! Drink to me, for I love you! I love you!
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The original title was 'Waking Up Diagonal'. It's the first line of the song. I just thought it was more interesting than 'I Don't Care', which is such a boring title to me. When I hear that song, it breaks my heart a little bit because it's my story.
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Whenever I'm really excited about a song, I want to learn it, and it becomes the first thing I play every time I pick up an instrument.
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The job of singing is to stay open to the river of soul in all its manifestations, the dark and the light, without letting your ego get in the way. I never want to be bigger than the song. I just want you to receive it.
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I never was a liner note junkie. I didn't know who produced records or there was such a thing as a straight songwriter. I always assumed that everybody that was singing a song wrote it or made it up.
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I think my main two songs are 'FWU' and 'Get Away.' 'FWU' made a cool point because it came out right after Chris Brown's 'Loyal' came out. I combated it with 'FWU,' a song that basically says, 'These women are loyal.'
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But the admiration for Jackson was by no means confined to his own soldiers and to his own section.
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Flower was a good metaphor for growth. The song is obviously about sexual responsibility, so that was the main metaphor. Also, it's like knowing who someone has been and remembering and appreciating that, but really appreciating what they are now even more.
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I just get an idea and then all of a sudden I've got a song.
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The commentary track became a lot like the movie and there are some funny, long, awkward pauses that you can tell we're just trying to find stuff to say. None of us had gotten to really talk about the movie until that moment and they were in New York and we were in L.A.
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I don't know if you realize this, but anger is anger. It has no mind. It has no rationality. It's mad, and it just wants to destroy.
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You're my exception.
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I get some flak for and some resistance from colleagues for because I'm interested in storytelling. I mean what I like about songwriting is songs used to tell a story.
