Steve Carell (Steven John Carell) Quotes
You project a version of yourself to the public to protect and insulate yourself a little bit. Actors come up with a version of themselves in order to protect the real person.
Quotes to Explore
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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The wind is a very difficult sound to get. It's always changing.
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Language is possible due to a number of cognitive and physical characteristics that are unique to humans but none of which that are unique to language. Coming together they make language possible. But the fundamental building block of language is community.
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I may be a star in the South, but when I go to Bollywood, I am a clean slate, a white paper. Whatever the director makes of me is what I will become for the audience.
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There's nothing bloody wrong with wanting it at all.
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The one thing you don't want is that stale sound when you've done a line so much you can't find a fresh approach to it. Drop it.
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Back then, I was doing more of my impression of what a comic is supposed to do.
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I turned vegetarian after 9/11. A friend of mine came back from New York and said that he couldn't stand the smell of burnt flesh. It immediately reminded me of a barbecue.
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Being an actor sometimes requires that you ask yourself questions youd rather not know the answers to.
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When I grow up I wanna be like Omar
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From the time I read my first Hemingway work, The Sun Also Rises, as a student at Soldan High School in St. Louis, I was struck with an affliction common to my generation: Hemingway Awe.
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When you have a clear vision of your goal, it's easier to take the first step toward it.
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I think there's more pressure to stand out in a way that is measurable externally. The fame culture is definitely way worse and weirder than it was when we were in high school.
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There is no happiness. There is only concentration.
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When I see these young girls who are dreaming the dream that I'm living, it's very very exciting and it puts a big smile on my face.
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Some actors can create characters and leave them at 'Cut!', but I work the opposite way and drag them out of me. For me, it's about fixing your fabric to fit the role.
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I've done interviews with actors who I've worked with who I really like, and I'm like, "Wow, look at you. You're just going on . . . You don't even know what you're saying!"
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My husband, who's the greatest actor in the world, can do anything. Look at what he did in The Critic and Oedipus. In every role he gets-he did this in Richard the Third-there's nothing he can't do, nothing. Just nothing.
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Animals give me more pleasure through the viewfinder of a camera than they ever did in the crosshairs of a gunsight. And after I've finished "shooting," my unharmed victims are still around for others to enjoy. I have developed a deep respect for animals. I consider them fellow living creatures with certain rights that should not be violated any more than those of humans.
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You project a version of yourself to the public to protect and insulate yourself a little bit. Actors come up with a version of themselves in order to protect the real person.
