Steve Case (Stephen McConnell Case) Quotes
The idea of an entrepreneur is really thinking out of the box and taking risks and stepping up to major challenges.
Quotes to Explore
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I've always enjoyed poor health.
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As soon as one project is finished I like to go straight on to something else.
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I'm not interested in what other people are doing. That's their business.
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He who knows that enough is enough will always have enough.
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No, I'm not a French designer either. I'm from nowhere. I'm a European, old European is all I am.
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There are no quick fixes to Indigenous poverty and social disaster.
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I had a mind inquiring enough to question world events, as well as the passion fostered by my background to care, but I lacked the emotional maturity to process these things. That made me ripe for Islamist recruitment. Into this ferment came my recruiter, himself straight out of a London medical college.
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Well, my first languages are German and Spanish because I was brought up by a Spanish mother and a German father, so I always spoke both languages at home. I'm very thankful that I was brought up in a bilingual house.
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I try to do things I love or care about for some reason.
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America needs to rethink how we distribute our foreign aid around the world.
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As a musician, life is not over just because you are getting older, and so I find retirement a very frightening and dark thought.
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There are one hundred men seeking security to one able man who is willing to risk his fortune.
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I read a very romantic book when I was young, when I was in college: Rilke's 'Letters to a Young Poet.' And I've always felt that if you are in any kind of an artistic, creative endeavor, and you feel there's something else you can do for a living and be happy, I think you should do something else.
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To me, emails are a little bit frustrating. I think that the telephone is much preferred because you get the sound of the voice and the interest and everything else you can't see in an email.
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I'm a very mellow person. There are things about me that are intense, obviously.
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I'd never played a character as long as I played Poussey. Spending time with her, so much time embodying that character, it was so - and still is and always will be - so special to me and a part of who I am.
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I was brought up in Florence, a beautiful medieval town whose rhythm is completely in antiquity.
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That's the ideal. Not to get stuck in a rut playing the same role.
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Women have different challenges. You have to be willing to put in the hours and work harder.
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I'm just challenging white supremacy at its intellectual heart every day. It's a pedagogy that I deploy against some of the most vicious resistance to blackness that whiteness is able to throw up. I engage in a lot of intellectual combat with supremacists and with the predicate of white supremacy and white indifference to black identity, and brown and red and yellow identity too, for that matter.
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I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.
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One of the great challenges is to know when things are not right.
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The idea of an entrepreneur is really thinking out of the box and taking risks and stepping up to major challenges.
