Steve Coogan (Stephen John Coogan) Quotes
I've always been drawn to discomfort and that limbo of unease you get between comedy and tragedy.
Quotes to Explore
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The idea of a news broadcast once was to find someone with information and broadcast it. The idea now is to find someone with ignorance and spread it around.
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I went out there, and I fought Anderson Silva, and you know what? I got a big W, and that's massive for my career going forward.
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The process of reclaiming the self is one of reconciliation with meaning.
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A different language is a different vision of life.
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The great thing about life - I'd rather not know and just hope I'm happy and healthy and I feel as good about my life as I do now.
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I guess what all artists want is for their work to touch someone or for it to be thought provoking.
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My favorite literary heroine is Jo March. It is hard to overstate what she meant to a small, plain girl called Jo, who had a hot temper and a burning ambition to be a writer.
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Reduced to its lowest terms, the great struggle which now rocks the whole earth more and more takes on the character of a struggle of the individual versus the state.
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We've all got strange things about us and Lynch picks those things up.
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Eating vegetarian in the past would have been a really bad choice as an athlete. Impossible. Just being able to get the amount of protein in was a mission. You couldn't be picky. I feel quite liberated by the fact that I can now quite recklessly choose vegetarian food.
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A lot of times, for videogames, you get almost no time to prepare with a script. You've got a director that's going line for line, filling you in on what's happening, and some games are even less than that.
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Bedouin ways were hard even for those brought up to them, and for strangers, terrible: a death in life.
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I would like to spend my next two years showing how the aim of making technology available to every young person can be built into the effort to make our nation more secure. That is my latest concern and what I will be pushing over the next two years.
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Most historians don't much like generalizations. Indeed, they make a trade of showing that this or that generalization about the past will not work here or there or then.
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As a writer, I have to admit, there is something darkly compelling about Alzheimer's because it attacks the two things most central to a writer's craft - language and memory, which together make up an individual's identity. Alzheimer's makes a new character out of a familiar person.
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Scripts are very different to books. They are blueprints for building, not the building.
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I've got a quiet voice. I think it's because as a child I didn't speak very much. I used to put my fingers in my ears to feel the silence, which was like a lovely trickling motion in my head.
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There are people with an explicit political bent complaining about people having political agendas while nominating stories with political agendas. Is it political to try to be diverse? Is it political to try to imagine a non-heteronormative society? Yes, because it involves politics. But how do they expect us to not write about our lives?
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When I was a boy in Desuq, Egypt, a city on the Rosetta branch of the Nile, about 50 miles east of Alexandria, my family lived steps away from the local landmark, a mosque named for a 13th-century Sufi sheik.
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I think I lost at least 40% of my fans when I became blond. They didn't recognize me anymore.
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I keep my house tidy, because then I can think clearly. I feel the same about myself. Presenting yourself well is a working-class thing - my dad was a printer, but he wore a tie most days. The ungroomed look belongs more to the middle classes.
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'Hedwig' was pretty much all the things I wanted to do that other people said I probably shouldn't do: drag, punk rock, stand-up comedy... You know, combine them all in a thing that's supremely uncommercial from the objective point of view.
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I've always been drawn to discomfort and that limbo of unease you get between comedy and tragedy.
