Ornella Muti Quotes
Quotes to Explore
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I've basically worked as a journalist and a writer.
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What I learned was that celebrities come to me with a preconceived notion. They think I'm fun, or they've worked with me, or they know me, or we've met. So there's a lot of backstuff on the 'Vicki!' show.
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I think the three Mexican directors that came before me did a very good job in Hollywood because they came in and started directing things like 'Harry Potter.'
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I am half Puerto Rican, a quarter German and a quarter black. That was always a big issue for me - being mixed race - because casting directors tended to be very like, 'OK, are you Hispanic for this role?' 'Or is she going to be African American?'
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Hollywood typecast me as the secretary. I could have worked as the quirky secretary for the rest of my life, but I decided not to do that.
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I've tried singing like somebody else, and it never worked for me. The only thing that has ever worked for me was me being me, so either you love it or not.
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The self-taught man seldom knows anything accurately, and he does not know a tenth as much as he could have known if he had worked under teachers;
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I certainly didn't have a three-book plan or a 10-year plan when I worked on the first book.
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Far be it for me to have worked it out in any abstract way. I don't know why the bull and Mrs. May have to die, or why Mr. Fortune and Mary Fortune: I just feel in my bones that that is the way it has to be. If I had the abstraction first I don't suppose I would write the story.
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Really top-notch directors, I've often worked with them just to see how they work.
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I understand the directors much more. I was always rebelling against them when I was a youngster, I didn't want to be told what to do. I had no identification.
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They worked hard to not give labor a dedicated slot today.
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As a director, I hoped that I was able to help the actors by giving them the space and the respect they need and the trust. I gave them what I always felt I needed when I was working.
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The nice thing about being a director is that I can say, "I can only get into the room after the kids are at school, and I have to be back for dinner. And they're coming for lunch."
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As a director you want to have actors, not only surpassing themselves, but also going somewhere, going different places.
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If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
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Is it 'left' to insist that presidents and CIA directors adhere to the law? I don't think so. I think it's American.
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If there is one thing that, as a director, you don't want to be a part of, it's a group. It's the same thing with music. I don't want to be a part of a scene. Just leave me alone. It's just my nature, and it's nothing against the people that are in that group, but I just like to be left alone.
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But if one could go back in time, I'd love to have been directed by Howard Hawks, who's one of my great heroes. One of the greatest directors there ever was. He directed probably one of the greatest westerns of all time in 'Rio Bravo'.
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From day one our next generation system will run all our exsisting software - so that gives us a head start.
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My workspace is a white room with a big computer monitor and a light box. It can be very messy. Sometimes I get into trouble with my husband for that. Then I run around like a lunatic cleaning up and creating the appearance of order.
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Years ago, it wasn't easy to communicate, and it wasn't easy to spread information. We were limited to the few media outlets that controlled viewership around the world and, by consequence, controlled the public opinion. But today, this platform is democratized. Any community around the world can help. That is the great thing about our time.
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I worked with a lot of directors, and I took something from everyone.
