Steve Toltz Quotes
I don't have a great respect for reality or getting the 'facts' as a means of putting together a story.
Quotes to Explore
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I said yes, which turned out to be the right answer.
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One thing that we decided very early in the relationship is that when he goes, we all go - the whole family.
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I don't want to be a bust.
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I don't feel American. I do feel like a New Yorker. I think there's a real distinction there. A city allows you to become a citizen even when you're not a national.
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I was trying to manage school and training for the Olympics and ended up not doing well at either. That was a big lesson in my life. My mother expected both.
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I think there's a big misconception out there about actors and the choices they have.
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Glamorized... am I glamorous?
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The day we run out of petrol is the day Iran will be free.
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I absolutely have not spoken to Marvel. It doesn't mean that my team hasn't spoken to Marvel.
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I'm shocked at being recognized.
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My sister is not a public person, so I don't think it's right to discuss her.
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I'm a mother with two small children, so I don't take as much crap as I used to.
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A lot of times you come against actors who come from a different direction, and you tend to meet in the middle.
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Bring me men to match my mountains: Bring me men to match my plains: Men with empires in their purpose and new eras in their brains.
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Slow down, everyone. You're moving too fast.
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Dream within a dream, Our dream deferred. Good morning, daddy! Ain’t you heard?
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She looked at me. Looked away. 'You think too much of me.'I smiled. 'Perhaps you think too little of yourself.'
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Oh, this isn't a talk show; it's more just filling time, really, 'til the infomercials start.
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The great thing about 'Skins' is that it's not '90210.' We don't have to look stick-thin and ripped. Those shows send out the wrong messages by showing body-perfect people but not mentioning that they spend four hours a day in the gym to look that way.
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We are chained hand and foot by protocol, enslaved to a static, empty world where men and women can’t read, where the scientific advances of the ages are the preserve of the rich, where artists and poets are doomed to endless repetitions and sterile reworking of past masterpieces. Nothing is new. New does not exist. Nothing changes, nothing grows, evolves, develops. Time has stopped. Progress is forbidden
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How should we deal with intrusions of fiction into life, now that we have seen the historical impact that this phenomenon can have? … Reflecting on these complex relationships between reader and story, fiction and life, can constitute a form of therapy against the sleep of reason, which generates monsters.
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I pride myself on having a journalistic remove.
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I don't have a great respect for reality or getting the 'facts' as a means of putting together a story.
