Narciso Rodriguez Quotes
Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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If I were to continue to work in an established mode, it stands to reason the work would be limited by this - that it would never surpass the prior work in quality.
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I have said this many times, that there seems to be enough room in the world for mediocre men, but not for mediocre women, and we really have to work very, very hard.
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As a kid, looking at Michael Jackson, Marvin Gaye, New Edition, the Temptations, Motown, people who I felt were huge artists, they made me wanna do something.
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Never despair, but if you do, work on in despair.
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I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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I can't be a hypocrite as a coach because as a player that's what I wanted. I wanted feedback, I wanted communication from the boss. I showed up for work, you can yell at me if you want, but I want input. So that's the kind of coach I want to be.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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Making $30,000 on my first business deal was exciting, but not as exciting as the sudden knowledge that I did not have to work for anyone again.
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People who work 44 hours per week make 50 percent more than people who work 34 hours a week.
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I don't think balance is something you get from someone else; it's something women have to find from within. For me, finding balance is still a work in progress.
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I avoid talking about the way I work. But in avoiding it I seem only to have encouraged people to focus their fantasies about me in an ever more fantastical way.
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I don't believe in a lot of schmoozing and buttering up. Not that you don't become friends in work. But I think it's a misconception that you have to do a lot of hanging before you work.
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I'm not partial to any system, but at the same time, I'm a Korean actor, so I expect to work mainly on Korean projects.
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I still get excited by working with big names. You have that initial moment of, 'Oh my goodness, I'm going to work with Tom Cruise!'
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It's just unfortunate that a network only makes their profit off of live viewership because their hands are tied by advertisers. They may believe in the show and want it to continue, but they just unfortunately can't afford it.
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I am in the process of trying to decide whether I can make a substantive and productive contribution to the policy-making process. I was always there because I wanted to work on the pressing issues of the day - I'm interested in energy, I'm interested in the climate bill and technology policy.
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The greatest challenge to most innovation centers around the world is many nations' punitive attitudes towards failure. In most of the world, if your first business fails, no one will work with you again. But, trial and error is the genesis of innovation.
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I'm a working woman of 80 trying to work out what the image I can project is. How I can do it with, you know, dignity.
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What basketball expresses is what jazz expresses. Certain cultural predispositions to make art. All African-American art has a substratum, or baseline, of improvisation and spontaneity. You find that in both basketball and jazz.
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
