Steven Soderbergh (Steven Andrew Soderbergh) Quotes
When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.
Quotes to Explore
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I would prefer to be a citizen of an independent country rather than Emperor of an enslaved one.
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It is time for dead languages to be quiet.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
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I will only do a Hollywood film when there is something special offered to me.
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I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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My company Independent Ideas worked with Gucci on a special edition Fiat 500.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
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I love Rihanna. She represents that strong, independent woman that you cannot keep down.
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Thus in such a Labour Party there can be no question of independent policy.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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I've always been singing all my life, but I started playing guitar when I was 19, and that was my final year in university, in law school. I think that happened when I started making a lot of friends who were in the independent music scene.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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If we'd had another carefree 70's, I'd have been dead. It was a little too carefree, you know? I don't know how carefree they were for me, I think I was worried then, I can't remember what about.
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My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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Poussey is a really huge part of 'Orange,' and I'm sure her name will always echo through the halls of Litchfield, dead or alive.
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I passionately hate the idea of being with it; I think an artist has always to be out of step with his time.
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A script like 'The Sixth Sense' is fun to read: It's so well-written, and you get a vivid sense of what's going to be onscreen.
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God doesn't seek for golden vessels, and does not ask for silver ones, but He must have clean ones.
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My parents were very supportive. They went to every show. And they never told me not to do what I was doing.
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Trying to explain or define grace is like catching the wind in a cardboard box or describing the color green.
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When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.
