Steven Spielberg Quotes
I love creating partnerships; I love not having to bear the entire burden of the creative storytelling, and when I have unions like with George Lucas and Peter Jackson, it's really great; not only do I benefit, but the project is better for it.
Quotes to Explore
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Any creative process comes with a level of self-analysis and self-criticism. There's a lot of waking up in the middle of the night going, 'Oh, I wish I had done that differently.'
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I feel like most creative people are total freaks.
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I do love doing films; I love going out and creating different characters for each film, and not having to be stuck with one role for many, many years. It's a creative liberty that I love.
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Cooking for people is an enormously significant expression of generosity and soulfulness, and entertaining is a way to be both generous and creative. You're sharing your life with people. Of course, it's also an expression of your own need for approval and applause. Nothing wrong with that.
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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I was taught as a young child by my parents and family to love myself.
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I love Costas. He's knows too much, but he's a good guy.
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I love to go shopping and see what catches my eye.
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The minute you succumb to outside pressure, you cease to be creative.
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He that is jealous is not in love.
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I'm honored and blessed by God to be in the sport I love, and I want to accomplish all the goals I set in the sport of boxing - to be successful and make history.
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Now along comes the potential creative destruction brought by a different distribution methodology, the Internet.
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Capitalism proceeds through creative destruction. What is created is capitalism in a 'new and improved' form - and what is destroyed is self-sustaining capacity, livelihood and dignity of its innumerable and multiplied 'host organisms' into which all of us are drawn/seduced one way or another.
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Hollywood's like a warehouse. It's just a place that you go. What's interesting in the warehouse has to do with the creative people.
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If a woman doesn't chase a man a little, she doesn't love him.
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I love to draw and paint. I'm very active in that way, but I'm not very good with the written word, though.
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If I'm creating a free-form piece of art, I can make it look like anything I want, and nobody will say it's wrong.
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I've never had an issue with studios. I believe in them as true creative partners in the process.
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Creative people who can't help but explore other mental territories are at greater risk, just as someone who climbs a mountain is more at risk than someone who just walks along a village lane.
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I've never conceptualized much of what I write about. Maybe, once I'm onto something, I'll conceptualize a finished record. I want the songs to tie together and make sense together. I'm not like, "Oh, I want to explore this idea." That's just not how the creative process works for me. It's more like something strikes me, or finds me, and then I wrestle with it after that. I don't sit back in my armchair, like, "What kind of philosophy can I explore today?"
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From there it got tough and Canby was very good on the free-throw line. But again, our kids played hard, left tired, but winning second was really nice for them.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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I love creating partnerships; I love not having to bear the entire burden of the creative storytelling, and when I have unions like with George Lucas and Peter Jackson, it's really great; not only do I benefit, but the project is better for it.
