Ralph Fiennes Quotes
Quotes to Explore
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The fundamental importance of the subject of molecular diffraction came first to be recognized through the theoretical work of the late Lord Rayleigh on the blue light of the sky, which he showed to be the result of the scattering of sunlight by the gases of the atmosphere.
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If I were to continue to work in an established mode, it stands to reason the work would be limited by this - that it would never surpass the prior work in quality.
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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I'm not a pretty person. I don't like pretty, so I don't feel badly. Most of the world is not with me, but I don't care.
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The beauty of soaps is that it takes a village to make it work, and you get to work with really hardworking people.
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I don't feel like an idol to anybody. I don't feel anybody should look up to me.
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The phrase 'blue plate special' has always been one of the homiest, coziest, most sweetly nostalgic phrases in the English language for me.
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I wear my Viking helmet because the horns define how sharp my brains are. If you try to rub me the wrong way, I will stick you with both of my horns.
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The only really conscious decision I made was to cast my net wide and if the work was good, to do it.
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Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.
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Send me one hundred francs on our future deals, otherwise I will disappear in a cataclysm.
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To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh to bite you.
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By staying focused on what I intend to create, by believing that the universe is all-providing, and by knowing that I'm worthy of the unlimited beneficence of the Source of being, I just keep attracting prosperity to me.
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If I'm going to produce something, it's going to be with somebody I think is special. Once I go beyond a handful of directors, like Scorsese, there are very few I want to work with.
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I don't do method acting. If I play a farmer, I'm not gonna spend 3 weeks on a chicken farm. That's a bit too much for me.
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I just lucked into this weird, little obscure cameoesque film career. I just love being a part of film history.
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I've got a clear line between work and real life.
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I've always been motivated more by negative comments than by positive ones. I know what I do well. Tell me what I don't do well.
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I was at Mount Tamalpais near San Francisco hiking when a boulder came hurling down the mountainside and smashed my left hand. When I looked at my mangled bloody fingers, I had a strange reaction. 'Thank God I will never have to play again,' I said. The fact is that dedication to one's art does involve a sort of enslavement.
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I'm not a great writer.
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To record is a process against forgetting. I do interviews because it's what I've been doing every day for a few hours since I was a kid. I've always talked to artists.
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I was listening to one of my favorite songs that Phil wrote and had an extreme emotional moment just before I got the news of his passing. I took that as a special spiritual message from Phil saying goodbye. Our love was and will always be deeper than any earthly differences we might have had.
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I don't plan a career. That doesn't work for me. I just have to go with my gut.
