Stjepan Hauser Quotes

It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.

Stjepan Hauser 2Cellos

• Childhood
• Radio
• Cello

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• I didn't know much about golf growing up.

  

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• It takes madness to find out madness.

  

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• I enjoy speaking to other women about turning 50, and how we can enjoy it, and how we can explore it.

  

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• I grew up in uptown Jamaica; I went to a rich school. I was raised by my mother and my stepfather; they made sure education came before anything. I had a good childhood, grew up spending time with my bigger brothers and sisters. My people are good people. I was exposed to a lot of different kinds of people and culture.

  

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• One thing I love to do when I'm working out is take my watch off, take my heart strap off, and just run - not for time, not for exertion, but just to get the blood flowing.

  

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• It is right that he too should have his little chronicle, his memories, his reason, and be able to recognize the good in the bad, the bad in the worst, and so grow gently old down all the unchanging days, and die one day like any other day, only shorter.

  

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• I don't believe in the model of pure inspiration. All of my creative work stems from a dialogue with others.

  

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• Why do two colors, put one next to the other, sing? Can one really explain this? no. Just as one can never learn how to paint.

  

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• When you watch 'Ray Donovan,' you think that it's about Hollywood, about scandal, about stars, and about trying to keep secrets. That's true, but that's also just the means by which you reveal secrets of the people suffering every day life.

  

  Eddie Marsan
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• I guess what all artists want is for their work to touch someone or for it to be thought provoking.

  

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• Emotionally, I have no picture-book illustrated with memories of my first five years, but externally, I have impressions that possess a haunting vividness comparable only to the texture of dreams, when dreams are tumultuously alive.

  

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• I really have learned to live in the moment. I don't question things too much or try to project into the future. That's how life should be.

  

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• I always want objects in my home that have a connection to me or something I've loved. It's still stuff, but it's stuff that has meaning.

  

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• To wake up when the sun comes up and enjoy that and then, when the sun goes down, to have a nice property or house where I could watch it on my porch when I'm older. It would be peaceful.

  

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• It's important for me to just be myself - in fashion. A lot of people overlook that side of me because they're scared of it, but that's just who I am.

  

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• I have an 'office,' technically. I never use it. I work on a couch in my living room, with my laptop on my lap, looking out the windows. I love space and green things. And I'm an incredibly casual person. I slouch. I close the laptop and just lie on the couch for a while if I need to think. I put my feet up on a table while I type.

  

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• The more a man is trained to 'be a man,' the more he is trained to protect women and children, not hurt women and children. He is trained to volunteer to die before even a stranger is hurt – especially a woman or child.

  

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• In Cuba I have always understood harsh treatment of dissenting voices as stemming from a 'siege situation' imposed upon it from outside. And I believe that to a certain extent that is true.

  

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• I'm done with industrial. Seriously, my iPod collection at home has no industrial music on it; it's strictly jazz, blues and country.

  

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• Pat Riley, Dave Checketts and Ernie Grunfeld - they brought the Knicks back to the glory days. It started with Rick Pitino. We took our first step with him, making the playoffs. When Pat came in we just kicked the door open.

  

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• I try to have a lot of influences, which is to say not to have one specific influence too strongly; that can end up badly.

  

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• If we expect our children to thrive at our colleges and universities, and succeed in our economy once they graduate - first we must make quality, affordable early childhood education accessible to all.

  

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• Childhood has it's own way of seeing, thinking, and feeling, and nothing is more foolish than to try to substitute ours for theirs.

  

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• It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.

  

  Stjepan Hauser 2Cellos
  • Childhood
  • Radio
  • Cello