Aaron David Gordon Quotes
The soul of the slave, the soul of the "little man," is as dear to me as the soul of the great.

Quotes to Explore
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To stay interested in tennis, I have to mix it up with other things.
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I work hard, and I do good, and I'm going to enjoy myself. I'm not going to let you restrict me.
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I've always been a person who's been true to myself and true to others, and I'm not afraid to be honest.
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Hebrew is the language I use to thank the Creator and, also, to swear on the road.
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A big thing that gets people in trouble in the kitchen is not reading the recipe from start to finish before you cook it. Before you start anything, read through the entire recipe once.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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History's a resource.
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I met Bon Jovi on the way to Washington, D.C. I think I called him Jon Jovi. Ugghhhh. I just smiled and pretended it didn't happen. I love him and his wife; they're so sweet. I was very nervous.
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There were no dissidents then in the USSR because they were all killed.
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I'm very happy alone.
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David Fincher's work has all been incredibly well-received on Netflix, and Kevin Spacey's films have all worked on Netflix.
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You just have to take these opportunities when they come along. They're not that frequent; you'll get a really good script, oh, maybe once a year if you're lucky.
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I'm a visual person - when I write, my input is always visual. I worked in television for several years.
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When you cover the economy as a reporter, there's one part of the job that is always easy: finding economists who disagree.
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I never got to make that transition from little girl to young woman... and that really screws you up.
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I do a lot of yoga, and that definitely helps. And Pilates is so good for your legs.
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It's the thing I struggle with every day: the mental diligence and stamina needed to sit in front of the computer, open the file, start writing and to keep doing so, word after word, until I've created the next story. A combination of learning disability and chronic health issues make that the hardest thing for me.
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Knowing one thing well empowers you and gives you a set of tricks to the trade that you can apply across the board. Go deep, and it will serve you when you make your choices about where you want to leave your mark.
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I'm a worker. I do the work to communicate, and I want people to embrace it, and when they do I'm happy.
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I'm not particularly good at running things when once they get to a certain level. Once it gets routine, get me out of the way.
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I usually point out that most loss of life and property has been due to the collapse of antiquated and unsafe structures, mostly of brick and other masonry.
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In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.
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I went outside, tripping over slabs of sunshine the size of towns. The sun was like a crowd of people, it was a party, it was music. The sun was blaring through the walls of the houses and beating down the steps. The Sun was drumming time into the stone. The sun was rhythming the day. (p. 197)
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The soul of the slave, the soul of the "little man," is as dear to me as the soul of the great.