Hirokazu Kore-eda Quotes
I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
Quotes to Explore
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I don't think Adam Sandler or Will Ferrell fear competition from me in their arena.
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We need more people working in the publishing industry itself who are people of colour.
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My father was a very gregarious, very open guy. So every weekend, the house was full of people.
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I am very concerned about nutrition and always try to be careful about what I eat.
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The Catholic Church was the church of the colonial fascist regime.
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Nearly all edible seaweeds - or 'sea vegetables,' as they ought technically to be called - belong to one of three broad groups: green, red and brown algae.
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Gossip can be entertaining: occasionally, I've heard the most fascinating things about myself I never knew.
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I'm the youngest of five – three girls and two boys. There was one record player for the seven of us. It was good for me, because I got to hear everyone else's music.
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Essentially what photography is is life lit up.
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I learned you can't trust the judgment of good friends.
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What I love about jazz is that it's full of legends, full of myths. It's an oral history because it started in New Orleans and Kansas City, under the radar.
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Those of us who are blessed, we owe it to our fellow citizens and folks who we are around to do something special for them.
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I didn't want to be an accountant; I found myself being a banker, which was a bit different. I went to university, and I was going to do a Ph.D. in the States, but I didn't get the funding for it, so I had two years where I had a bit of a wobble and didn't really know what I wanted to do, and I ended up working as a banker.
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High school golf, college golf and the decade that followed all come back to me now as one big raucous, goofy gangsome.
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I believe that God made this wonderful universe and all that exists.
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Sometimes I read a really good script, and I just know that it's not a good fit.
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I played my first match aged six. Neither my opponent nor I knew how to score, so our parents had to help us out from the sidelines.
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The films that I do are deep, introspective, brooding roles that you're in this heavy headspace all the time.
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I know who my dad is, I've met him a few times, but I don't even call him dad. I know it sounds horrible, but I don't even see him as part of my family, to be honest. If you want the truth, it doesn't bother me because I don't know any different. I just know that me and my mum, that was my family.
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If there is a true secret to the universe, it is this...these first few seconds of warmth and entry and complete acceptance by one’s beloved.
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We can quiet our minds enough to tune in to what our bodies are telling us - I believe in angels - and we need to listen to the messages being sent. They are real messages - just as real as a human saying something to you.
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There seems to be a pattern. I get one good script every two years.
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The desire to be loved is really death when it comes to art.
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I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
