Farah Pahlavi (Farah Diba) Quotes
I remember I went to an exhibition somewhere and one of the artists, an Iranian lady, said, "I wish we had somewhere that our paintings would stay forever." So this idea came to me. I said, "She's right, we should have a place to keep them, and not only Iranian art works, but also of foreign artists."
Quotes to Explore
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Bitcoin is here to stay. There would be a hacker uproar to anyone who attempted to take credit for the patent of cryptocurrency. And I wouldn't want to be on the receiving end of hacker fury.
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The stage is the best experience in the world. It's a great compliment to be able to share the music, because people can hear my album but they don't get to make the connection in the same way as when it's one-to-one.
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History is a race between education and catastrophe.
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I have the potential to be very strong and powerful, sometimes angry, sometimes passionate. I also can be shy and withhold that because I am afraid. I don't want to freak anybody out with my passion... So I struggle with that all the time.
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I have seen life from the top down and the bottom up. I know how it looks both ways. And I know there is wisdom and that there is hope.
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Art is to me the glorification of the human spirit, and as such it is the cultural documentation of the time in which it is produced.
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It's easy to have faith in yourself and have discipline when you're a winner, when you're number one. What you got to have is faith and discipline when you're not a winner.
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I wanted to greet people in Telugu, so I asked someone how to say 'How are you' in Telugu. In fact, I instructed my entire staff to speak to me only in Telugu. So, there were times when I would ask them to translate certain words for me in Hindi, but the effort paid off.
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I have always believed that life is too short for rows and disagreements. Even if I think I'm right, I would prefer to apologize and remain friends rather than win and be an enemy.
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Live shows are pretty much like the center of the storm... where the power comes from, the most raw experience. That's the juice. That's where we hit the hardest.
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I am a self-critical perfectionist.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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I definitely have the screenwriting itch.
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I'm a terrific mimic, and you can feel my funny bone.
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Using lots of fresh foods, fruits and vegetables, helps to keep the menu buoyant - I don't know if that's the right word, but it keeps a balance of freshness and health.
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All my music is inspirational. You just gotta listen to the words and get what you can get out of it.
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My views line up with Mick Mulvaney's views pretty much exactly.
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Of course, violence will not end with our combat mission. Extremists will continue to set off bombs, attack Iraqi civilians and try to spark sectarian strife. But ultimately, these terrorists will fail to achieve their goals.
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Thou art greatly wise, my friend, and ever respected by me, yet I find not in your theory or your scope, room enough for the lyric inspirations, or the mysterious whispers of life. To me it seems that it is madder never to abandon oneself, than often to be infatuated; better to be wounded, a captive, and a slave, than always to walk in armor.
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I'm going to end a life that I thought could contain every kind of greatness but that in fact consisted only of my incapacity to really want to be great. Whenever I arrived at a certainty, I remembered that those with the greatest certainties are lunatics.
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The United States lost the nuclear-powered submarine Thresher 100 miles east of Cape Cod in 1963, and the submarine Scorpion sank in 1968 in more than 10,000 feet of water 400 miles southwest of the Azores.
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I don't expect you will really understand the beauty of the softly simmering cauldron with its shimmering fumes, the delicate power of liquids that creep through human veins, bewitching the mind, ensnaring the senses.
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I remember I went to an exhibition somewhere and one of the artists, an Iranian lady, said, "I wish we had somewhere that our paintings would stay forever." So this idea came to me. I said, "She's right, we should have a place to keep them, and not only Iranian art works, but also of foreign artists."
