Farah Pahlavi (Farah Diba) Quotes
I remember I went to an exhibition somewhere and one of the artists, an Iranian lady, said, "I wish we had somewhere that our paintings would stay forever." So this idea came to me. I said, "She's right, we should have a place to keep them, and not only Iranian art works, but also of foreign artists."
Quotes to Explore
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Bitcoin is here to stay. There would be a hacker uproar to anyone who attempted to take credit for the patent of cryptocurrency. And I wouldn't want to be on the receiving end of hacker fury.
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The stage is the best experience in the world. It's a great compliment to be able to share the music, because people can hear my album but they don't get to make the connection in the same way as when it's one-to-one.
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History is a race between education and catastrophe.
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I have the potential to be very strong and powerful, sometimes angry, sometimes passionate. I also can be shy and withhold that because I am afraid. I don't want to freak anybody out with my passion... So I struggle with that all the time.
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I have seen life from the top down and the bottom up. I know how it looks both ways. And I know there is wisdom and that there is hope.
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I could do a franchise for the end of everything. 'The End of Dogs,' 'The End of Cats.'
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Art is to me the glorification of the human spirit, and as such it is the cultural documentation of the time in which it is produced.
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It's easy to have faith in yourself and have discipline when you're a winner, when you're number one. What you got to have is faith and discipline when you're not a winner.
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I wanted to greet people in Telugu, so I asked someone how to say 'How are you' in Telugu. In fact, I instructed my entire staff to speak to me only in Telugu. So, there were times when I would ask them to translate certain words for me in Hindi, but the effort paid off.
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I have always believed that life is too short for rows and disagreements. Even if I think I'm right, I would prefer to apologize and remain friends rather than win and be an enemy.
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Live shows are pretty much like the center of the storm... where the power comes from, the most raw experience. That's the juice. That's where we hit the hardest.
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I am a self-critical perfectionist.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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I definitely have the screenwriting itch.
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I'm a terrific mimic, and you can feel my funny bone.
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I knew at a young age that I wanted to do comedy, and maybe part of that was trying to fit in at school because I had a weird name, and my parents had these accents, and I was definitely a late bloomer.
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Using lots of fresh foods, fruits and vegetables, helps to keep the menu buoyant - I don't know if that's the right word, but it keeps a balance of freshness and health.
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All my music is inspirational. You just gotta listen to the words and get what you can get out of it.
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My views line up with Mick Mulvaney's views pretty much exactly.
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There have never been so many women in the music industry, but they're doing ballads and pop. Where's the new Joan Jetts and the Wanda Jacksons and the Debbie Harrys, all these strong women? I wanna be the woman that rocks.
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You can know that the final show is coming up, and prepare yourself for it mentally, but when it finally occurs, it's like a dream. You stand there feeling the love the audience has for you, and you think, 'Is this really going to end?
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Ordinarily, I'd claim that I'd never write directly about my children, but the opening conversation of 'Peter Elroy' is a verbatim conversation that my children had that I just loved: morbid, funny, passionate, and obsessed with the truth of things - all natural qualities of children that I'd like my work to contain.
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Isn't that wonderful? When we drove through several of the places we lived - Grand Rapids, Washington - they all had those placards. That they stood by the street and had in their hands placards that said 'Gerald Our Ford'. That meant so much to us as we were driving into Washington.
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I remember I went to an exhibition somewhere and one of the artists, an Iranian lady, said, "I wish we had somewhere that our paintings would stay forever." So this idea came to me. I said, "She's right, we should have a place to keep them, and not only Iranian art works, but also of foreign artists."
