Honore de Balzac Quotes
Quotes to Explore
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I really sort of kept to myself. I kind of just watched the world. And I think to keep people from messing with me, yeah, you know, I went out to run track. I went out for the football team. Not because I love track or love football.
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From the days of Cain and Abel, we know all too well there will always be evil. But that evil shouldn't take away our freedoms.
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Normally in dangerous situations I have a getaway car.
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The beautiful thing about hip-hop is it's like an audio collage. You can take any form of music and do it in a hip-hop way and it'll be a hip-hop song. That's the only music you can do that with.
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I'm scared of any fighter I've ever fought because they are some dangerous people to be dealing with. That's also where the anxiety comes from.
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For me, good service is efficient and discreet; it's that critical balance. As soon as the client sits down, the communication flow has to start. Customers need to feel that the waiters are supervised - that there's a system in place.
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We want to challenge the established ideas with new ideas.
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It's like life: you have both comedy and drama. There's a balance, and I'm lucky enough to have it in my work.
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Almost all the knowledge required to produce more food than eroding soil is available today - we just need to use that knowledge within a holistic paradigm - managing agriculture holistically, forming the policies that undergird it holistically.
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I'm a big believer in letting kids have as much responsibility as you can give them in terms of helping around the house and getting themselves dressed.
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First of all; Frank was the BOSS. We didn't question any of his motives or decisions at the time.
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Hope is like a harebell trembling from its birth.
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Man, that Jim Lauderdale always looks good - he's got more western suits than anybody.
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The more successful you are as a man, the more you're liked. And the more successful you are as a woman, the more you're disliked.
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Keep in my mind my dad didn't become a huge, huge mega actor until I was halfway through high school - so right around the time he's going through his big renaissance is right when I'm starting to do my high school revolting.
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People are not used to seeing an older woman on screen, unless she's playing a character role. Why can't they make a movie about a woman who's forty-five who's falling in love or getting divorced? Why does the leading role always have to be a woman who's twenty-three or twenty-eight?
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I think, for me, humour needs to be used like a strong spice - sparingly.
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I think enjoying each other in a creative way is usually a result of when you're doing something that might be problematic - might be a little difficult to uncover. I've done it once in a stage production; we came in for two days and, just as an experiment, the director had us reading each other's roles. You hear another voice interpreting a line that maybe you were having trouble with. It can be very helpful. But we weren't really in the kind of situation where that was necessary.
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We think of it as an extension of existing content efforts we have now. We didn't have a general way for people to push information to us that they didn't think was being represented in our search results.
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I have a theory that most people in Hollywood are from Texas.
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I love Yves Saint Laurent. I love Chanel. And Versace! Such beautiful gowns!
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Painters are amongst the priests - worker priests of the cult of man - searching to understand but never know.
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Managing your terror all by yourself gives rise to another set of problems: dissociation, despair, addictions, a chronic sense of panic, and relationships that are marked by alienation, disconnections, and explosions. Patients with these histories rarely make the connection between what has happened to them a long time ago and how they currently feel and behave. Everything just seems unmanageable.
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Priests, magistrates and ladies never quite take off their gowns.
