Ingmar Bergman Quotes
The anger and the creativity are so closely intertwined with me, and there's plenty of anger left.

Quotes to Explore
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I'm a huge NASCAR fan, but I'm not a gearhead. I've never been into fixing cars. It's not because I don't like it. I would love to know more. It's just my dad never taught me that stuff because my dad wasn't a mechanic.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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Some reporter called me 'the angriest gay man in the world' or some such. Well, it stuck, but I realized it was very useful.
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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Following graduation from Amherst, a Woodrow Wilson Fellowship enabled me to test the depth of my interest in literary scholarship by beginning graduate studies at Harvard University.
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Romeo Must Die came at the right time. It was the right vehicle for me.
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But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
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I look back on some of my outfits, and I'm like: 'Why did I wear that? Where are my friends and why didn't they tell me not to leave the house?' If they had, I probably would've said, 'You don't know what you're talking about. This looks amazing.'
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People desire power. I don't know why they want it so. It seems to me it implies a hugely superior intellect which separates them from most of the populace.
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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After I was 70, I realized that, 'Okay, I would like to have another 50 years, and I probably could.' But part of me is saying, 'Maybe I'm not going to have that much time.'
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Being in water makes me relax instantly.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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When I was younger, it was like, 'Yay, lesbians love me!' I didn't know there was a responsibility that came with it.
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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I have to say, sushi freaks me out more than almost anything.
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I feel like I'm a natural-born playwright, but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years?
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For me, being a mum has been a really, really instinctive thing.
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Generations of women have sacrificed their lives to become their mothers. But we do not have that luxury any more. The world has changed too much to let us have the lives our mothers had. And we can no longer afford the guilt we feel at not being our mothers. We cannot afford any guilt that pulls us back to the past. We have to grow up, whether we want to or not. We have to stop blaming men and mothers and seize every second of our lives with passion. We can no longer afford to waste our creativity. We cannot afford spiritual laziness.
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Judges rule on the basis of law, not public opinion, and they should be totally indifferent to pressures of the times.
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A good two years after Hurricane Katrina I remember feeling so devastated and so ignorant that there was so much damage still left. I felt like here I was an American and this is an American city and the government hasn't done enough and people haven't given back enough. Everyone forgot and the city was lying in waste.
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It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
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The anger and the creativity are so closely intertwined with me, and there's plenty of anger left.