Herbert Albert Laurens Fisher Quotes
I can see only one safe rule for the historian: that he should recognize in the development of human destinies the play of the contingent and the unforeseen.
Quotes to Explore
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I'm not coming back to play.
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Strange things blow in through my window on the wings of the night wind and I don't worry about my destiny.
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I'm an actor; I want to play roles, not a role.
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I'm a huge gamer. I play a lot of games, and I play one game until I'm really, really good at it.
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It is when we all play safe that we create a world of utmost insecurity.
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Sport is an important part of the development of kids, and hence, it should be made a part of their curriculum.
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When I'm not working... I'm an actor! I'm auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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Our approach to economic development must be modern, focused and in tune with the global trend.
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When I play a solo I'm just expressing that moment. It can go horribly wrong easily enough.
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The debt we owe to the play of imagination is incalculable.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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Most of my contemporaries at school entered the World of Business, the logical destiny of bores.
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I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.
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I've always refused to play terrorists.
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I have no desire to play music unless I need music.
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The key of 'The Earth from Above,' and of 'Home' is to show the beauty of the planet, and thereby to promote love for it.
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When you have these surprise breakout films that do well, that have good performances in them, it puts a lot of pressure on the Academy to recognize those projects, so it's more of a conversation about what is greenlit.
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There are people who the more you do for them, the less they will do for themselves.
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I can see only one safe rule for the historian: that he should recognize in the development of human destinies the play of the contingent and the unforeseen.
