J. Michael Straczynski Quotes
Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.
Quotes to Explore
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'Empathy' is the latest code word for liberal activism, for treating the Constitution as malleable clay to be kneaded and molded in whatever form justices want. It represents an expansive view of the judiciary in which courts create policy that couldn't pass the legislative branch or, if it did, would generate voter backlash.
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I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
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Between two groups of people who want to make inconsistent kinds of worlds, I see no remedy but force.
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We could have gone with much bigger labels and more money, but we wanted to go with a company that is LA based, all in the same building, and really understands what the artists want.
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I want to have fun. I'm not interested in being a serious actor, because I think it's boring, and I think we've got plenty of them.
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Mindsets, skills and leadership, experience and access, and critical consciousness - we need all four of these things for our students to be the leaders, people and citizens we want them to be.
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The sad thing is that apparently if you want to become the next Premier or the leader, suddenly you've got to shut down your human side.
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In my 20s, I wanted to be hot; now I want to be healthy.
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I want to be engaged and moved by theatre, there's nothing more disappointing than being left cold. After 'The Author,' I felt wrung out emotionally, like a used tissue.
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I'm supporting the charities that I supported during my lifetime, and I want to continue to do that.
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I want to do everything in the world that can be done.
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I want every Grammy.
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Weeds are flowers too, once you get to know them.
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When you want something very dearly, you make the time.
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A novel is like a sausage. You might like the final taste but you don't want to see how it was made.
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My parents would always say, 'It doesnt' matter if it's a guy picking up the garbage or the President of the United States, treat everybody as you would want to be treated.
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There is only one thing keeping us from having heaven on earth: we can't believe it! Why? Because we don't want to be wrong - so we'll be right and make it hell!
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It's such a paradox. You come from this place where you want fame; you don't want to be bourgeois, but you want to be successful. You want to be accepted, but you also want to be going against the grain. You want to be on the outside, but you want to be on the inside.
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We're not good at propping up old carcasses. We want to be on top of what's vital at any particular time, and not just hold onto something because it has a name.
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At first when I realized I was a romantic, I was sort of shocked and shamed. But it is true... that the material I work most with is emotion.
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My inspiration is endless; I can't define it. It is a constant flow and evolution. In general, I'm taking it from everywhere. People get nervous when they walk with me, as I'll see something and suddenly have to text it to myself.
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I grew up believing that my parents helped change the world. I was so in awe of them, and I wondered how I could measure up. I mean, how do you change the world - again?
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Writers write for one reason: to create an emotion in the reader, to reach across and make them feel something. You want a reaction. Yeah, it's nicer when the reaction is to throw flowers than it is to throw brickbats, but you have to accept both equally.
