Maryann Simko (Taisha Abelar) Quotes
Only a minute to minute relentless struggle can balance one's natural but stupefying insistence to remain unchanged.

Quotes to Explore
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To be honest, I think, for me, the power is always with art. The art world clearly couldn't happen without art.
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We constantly abuse and defend a woman's prerogative to change her mind.
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It gets pretty boring when all you are is the support system for a male character.
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I went to Japan and I lived there. I lived in Mexico for a year. I went to Europe. I lived in Canada.
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I love people, and the hustle.
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The whites come to applaud a Negro performer just like the colored do. When you've got the respect of white and colored, you can ease a lot of things.
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No, I worked a lot for European television, doing documentaries in Brazil.
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I had an amazing childhood.
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I'm not a universalist, and the way I talk about final loss is this: People worship idols - money, whatever. Their humanness gets reshaped around the idol - you become like what you worship. That's one of the basic spiritual laws.
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The film business creates a large amount of waste, and I'm not immune to waste in the business.
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In the beginning, I was so chintzy I really didn't pay my employees well.
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How you manage change can make all the difference.
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I just want to play for Hindus and Muslims that sit together. That's all I want to do.
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I love music. I still play cello a few times a week.
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I love being in a courtroom.
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Death is the beginning of something.
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Spike Lee gave me the greatest reaction to the fact that I was this athlete-meets-artist, because I think he saw that I was different. I learned that oftentimes, Spike directs in a sense that he might just stare at you and look at you in a telepathic way of communicating.
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I actually felt like I was starting a new career as a news reporter while playing in 'Pinocchio.'
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The European powers had been anxious to see the United States become embroiled in a civil war and eventually break into two smaller and weaker nations. That would pave the way for their further colonization of Latin American without fear of the Americans being able to enforce the Monroe Doctrine.
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I love roles that don't really have a template or a paradigm and force me to create using my own imagination... that really, really turns me on.
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If the seventies were bulbous, and the eighties sharp, the nineties were nothing but bogus.
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However, without considering this connection, there is no doubt but that more good than evil, more delight than sorrow, arises from compassion itself; there being so many things which balance the sorrow of it.
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Harmony, balance, and rhythm. They're the three things that stay with you your whole life. Without them civilization is out of whack. And that's why an oarsman, when he goes out in life, he can fight it, he can handle life. That's what he gets from rowing.
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Only a minute to minute relentless struggle can balance one's natural but stupefying insistence to remain unchanged.