Karin Slaughter Quotes
I think being a woman and writing frankly about violence has gotten me some attention, and as someone who wants people to read my books, I can't complain about that attention, but it does puzzle me that this is something reviewers focus on.
Quotes to Explore
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I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
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This life and this job and this position that I'm put in, it forces you to grow up quick. I definitely got dropped in the deep end.
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Think of an economy where people could be an artist or a photographer or a writer without worrying about keeping their day job in order to have health insurance.
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I've been in this business for 40 years - you do a show, and you don't know what's going to come of it.
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A big reason why I'm not a big TV watcher is that in my formative years as a viewer, there wasn't that much great television on, or at least, television that appealed to me.
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Gene Hackman is one of the great American actors of all time.
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Linda Hunt is so good and so sweet. She is a Tony Award nominee and won an Oscar. Pearls just come out of her mouth.
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I was a scapegoat. The media had to put responsibility on somebody, and I was chosen. They felt free to say that because someone was thin they were anorexic, which is ridiculous.
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At the present moment, the security of coherent philosophy, which existed from Parmenides to Hegel, is lost.
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I grew up in uptown Jamaica; I went to a rich school. I was raised by my mother and my stepfather; they made sure education came before anything. I had a good childhood, grew up spending time with my bigger brothers and sisters. My people are good people. I was exposed to a lot of different kinds of people and culture.
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Any competent actor could have done what I did.
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When we assess the impact of technological changes, we tend to downplay things that happened a while ago.
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Humans are insane. We kill our own people, starve our own people, sell them, work them to death, beat them, don't give them affordable/free/good healthcare, and let them live in misery, while a few of us have - we have all we want. We are evil.
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There's so much hate that we direct externally that we forget we have our own psychos. But that's the role of the satirist - you have to examine your own country and say, 'look!'
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But I was very, very unhappy because my mother was very charming and generous, but to me, very dominating.
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To be able to make decisions and see them come to fruition and feel the excitement around them, what it generates within the company, how the artists get motivated - that's the most rewarding part; feeling I can be a catalyst for an artistic experience for our artists and for the public.
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Folks like me have to feel a little indebted to the communities that they came from. And if they do, I think we'll start to see a little bit more of a geographic integration in the country because people will start to think, 'You know what? I owe that place something, and I should return to it in one form or another.'
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I don't want everything to be flowery perfection. I like it there to be a charge behind it, you know?
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In Maryland, we have the unfortunate distinction of being the most gerrymandered state in the entire nation.
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To be a manager requires more than a title, a big office, and other outward symbols of rank. It requires competence and performance of a high order.
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America is a mistake, a giant mistake.
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Blues purists never cared for me. I don't worry about it. I think if it this way: When I made 'Three O' Clock Blues,' they were not there. The people out there made the tune. And blues purists just wrote about it. The people is who I'm trying to satisfy.
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I think being a woman and writing frankly about violence has gotten me some attention, and as someone who wants people to read my books, I can't complain about that attention, but it does puzzle me that this is something reviewers focus on.
