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I have a few unusual fans, as you can imagine, so I try to protect the privacy of my home life.
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Growing up in Georgia in the southeastern United States, I was always reading and always kept to myself. I never felt isolated, though; I just liked being alone.
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My sister is dyslexic, and she's so smart, so intelligent in all of the ways that matter.
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Usually, when inspiration strikes late, the light of day reveals that I haven't gotten an idea for a book so much as a psychiatric case study.
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I have a superhero complex. If I see anything bad happen, I run towards it, rather idiotically because, after all, what could I do?
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I thought I had to write literature and add my name to the list of great Southern storytellers. Fortunately for me, no one wanted to read any of those stories. They got rejected by everyone. Sometimes, I would get a note saying they liked the writing, but the story simply didn't work.
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It's hard because people often don't recognise shyness; they think it's just someone being rude. I have had to work to overcome that, especially if I'm meeting my readers at author events, because I don't want them to think I'm snooty or rude.
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I busted my chin open trying to be Evel Knievel on my bike. When it happened, you could see straight through to the bone, I thought my dad was going to pass out. It left a scar that I still have now.
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It's a very Southern thing to be interested in dark stuff.
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That's why I love crime novels so much: When I write a crime novel, the conflict is built in.
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For many children, the library represents their only access to books, reading, and the Internet outside of their home. If you think about how far behind a child would be without access to these fundamental tools - tools that are vital to successful employment later in life - it's a travesty.
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Oh, I'm completely OCD about neatness.
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I'm really boring. I get up early. I go to bed early. I don't smoke or drink. I mean, I'll eat a cupcake. I'm just not a crazy, stay-out-all-night sort of person. I love writing.
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I'm going to name a name: Janet Evanovich. She writes the same book over and over, and I read every single one of them and eagerly anticipate them.
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My books are never about the crimes. They are about how the characters react to the crimes.
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The most enduring stories in literature generally have some kind of crime at their center, whether it's the bloody butchery of 'Hamlet,' the lecherous misanthropes of Dickens or the lone gunman from 'The Great Gatsby.'
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I always say 'thriller;' if they see you're a woman - and you're a blond woman - people assume you're writing about cats and romances where somebody has died.
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I started Save the Libraries in 2010 by hosting a big fundraiser in my city library of DeKalb County in Atlanta. Through that, I learned that even with fundraisers, libraries often don't make money - they just barely break even.
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I have a lot of men who will say to me, 'I don't read books by women, but I like you.'
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I'm over the word 'like' in conversation, and 'you know' seems to be the placeholder of choice, but when I'm writing dialogue, I tend to use those phrases because that's how people talk.
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Women can be two different people - one person at home, another at work.
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Visual storytelling is at once immediate and subversive.
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I know the cadence of the language and the voice of Atlanta because I've lived here for so long.
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It seems like women are always told, 'It is not your time.'