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I set the goal of getting a book contract by age thirty.
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If I wasn't a writer, I would probably be a watchmaker. I like putting puzzles together, and that is what a watch is, figuring out how all the gears and everything else works together. I'm patient and good at focusing on a single task.
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Visual storytelling is at once immediate and subversive.
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I'm over the word 'like' in conversation, and 'you know' seems to be the placeholder of choice, but when I'm writing dialogue, I tend to use those phrases because that's how people talk.
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When I'm on a good go, I can do 12, 13 hours of writing.
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I started Save the Libraries in 2010 by hosting a big fundraiser in my city library of DeKalb County in Atlanta. Through that, I learned that even with fundraisers, libraries often don't make money - they just barely break even.
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I think that characters who are nice all the time and who you sympathize with can get really boring.
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Libraries are the backbone of our education system.
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I read about violent things. I think what I get out of that is entertainment by learning about different things, and reading the genre and getting an understanding of motivations. But at the end of the day, it's still a book, and I can walk away.
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My books are never about the crimes. They are about how the characters react to the crimes.
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Women who write thrillers are called 'dark.' Male writers are called 'powerful.'
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Crafting a piece of gripping, narrative true crime that engages the world is not that different from crafting a piece of crime fiction.
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Prosecutors and public defenders deserve to make a living wage.
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Pushing the boundaries of polite society does not just fall under the purview of crime fiction authors.
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With 'Pretty Girls,' I saw the opportunity to talk not just about crime but what crime leaves behind.
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I always wanted to be a writer. In the beginning, I thought I had to rewrite 'Gone with the Wind,' but eventually, I found my way and realized that wasn't me.
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Equal access to reading is fundamental to life, liberty, and the pursuit of happiness.
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As the youngest of three girls, most of my childhood works were revenge fantasies against my older sisters, so of course the sisters in 'Pretty Girls' share some similarities to my own.
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My father and his eight siblings grew up in the kind of poverty that Americans don't like to talk about unless a natural disaster like Hurricane Katrina strikes, and then the conversation only lasts as long as the news cycle. His family squatted in shacks. The children scavenged for food.
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It's just my goal to deliver the best story I can, and I want to make sure each book is better than the last, and in order to do that, I have to take chances.
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A book I would take with me to a desert island is 'Paradise Lost,' which I studied in college and hated so much by the end of the class that I never wanted to see it again.
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I hate to badmouth any book or writer, because I know how it feels to be on the other end of that.
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It sounds pretentious to say I 'divide' my time, but when I am home, that usually means my house in Atlanta or my cabin in the North Georgia Mountains. The latter is where I do the majority of my writing.
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I think being a woman and writing frankly about violence has gotten me some attention, and as someone who wants people to read my books, I can't complain about that attention, but it does puzzle me that this is something reviewers focus on.