Gabrielle Carteris Quotes
In a perfect world, the entertainment and media industry and the content on our screens would reflect the true American scene.
Quotes to Explore
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My songs have a lot going on in them -they're packed with sounds. When I have only three or four minutes to capture something, I guess I can't stand the idea of any bar going unloved.
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I'm not against the NSA. I'm not against spying; I'm not against looking at phone records.
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To me, doing a gay pride show is one of the most fun things. My first show that paid more than $10,000 was in a gay club on New Year's Eve in San Francisco.
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My mom is just so good with fashion! She always tells me what looks good, what doesn't look good, and she gives me great advice.
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Parodies of commercials are by no means new and have been popular going back to black-and-white TV shows of the '50s.
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Love is the difficult realization that something other than oneself is real.
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If you can live in Vegas, or visit Vegas, and leave in one piece, still loving it and somehow laughing about it, you should spend at least part of your last night in town doing something that will serve you well no matter where you go next: thank your lucky stars.
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I did every job under the sun from bartending to ushering to temping.
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For everybody that does something bad there's gotta be someone that does something good.
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Architecture is how the person places herself in the space. Fashion is about how you place the object on the person.
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A great sense of peace entered my body, and seemingly into every cell.
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You can be lonely when you have a guy living with you.
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If you learn one thing from having lived through decades of changing views, it is that all predictions are necessarily false.
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There were so many pretty girls coming into the salon as clients, and others working in the salon. And I thought, 'Hmm. This is rather nice.'
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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We are not going back to the failed policies of the past. We are fighting for the middle class!
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I'm a serious eater and a seriously hungry person, so I set out on that path to figure it out for myself, and of course it really resonated with other people.
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There are designers who say, 'Oh! I see wallpaper and blue carpet.' I usually start by knocking down walls. 'You thought you just needed some new drapes? Well, guess what: That wall's gotta go.'
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But it seemed to me that the American way of doing things was to obliterate a complete area, without really knowing exactly what was there and where they were.
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When I was a kid growing up, I lived in a little rural village called Woolton Hill, and the nearest town was Newbury. No bands played anywhere near us, so as much as I wanted to be on the grid and in the loop, I never was.
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Working at Pixar you learn the really honest, hard way of making a great movie, which is to surround yourself with people who are much smarter than you, much more talented than you, and incite constructive criticism; you'll get a much better movie out of it.
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Comics is all about making it believable and helping people to get completely lost in a fictional world.
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In a perfect world, the entertainment and media industry and the content on our screens would reflect the true American scene.
