Otto Lilienthal Quotes
By practice and experience a man can (if the wind be of the right strength) imitate the complete sailing flight of birds by availing himself of the slight upward trend of some winds, by performing circling sweeps, and by allowing the air to carry him.
Quotes to Explore
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The first decent building I did with my own practice was a chapel in Taiwan.
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I'll never do a film because it's a massive budget and I'm gonna get lots of publicity for it and it will bring something else.
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He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.
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I started growing my audience in small clubs through word-of-mouth. I started making music that isn't necessarily commercially viable, and it's not necessarily marketable to my peers to a certain extent.
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When I went to Juventus, I was young, but in training, I had legends like Fabio Cannavaro and Lilian Thuram marking me. I had to work hard to get my respect.
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Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself.
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The biggest public mistake I ever made was that I chose to do 'Criminal Minds' in the first place.
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I hear a lot of bad TV commercials that try to sound like Where It's At. That pretty much turned me off from using the electric piano for a lot of years.
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A society in which vocation and job are separated for most people gradually creates an economy that is often devoid of spirit, one that frequently fills our pocketbooks at the cost of emptying our souls.
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I'm most honest about writing when I'm talking to family or friends, not to newspapers.
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People in their handlings of affairs often fail when they are about to succeed. If one remains as careful at the end as he was at the beginning, there will be no failure.
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More and more, cultural groups are cross-pollinating, and we're getting much more interesting art as a result.
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What is this world? A mere curl of smoke for the wind to scatter.
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As an actor, I think you should always disappear a little. I act in order to lose myself.
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The current prohibition laws are forcing drug disputes to be played out with guns in our streets. We need to put a stop to this criminal drug element in our country.
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Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
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Still often interventionist, convinced of our importance in the world, even those of us born long after 1900 live in a country that is much more Victorian than we think.
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Pop songs are not as graceful as they used to be. Performers today haven't gone through the regimen of learning how to write. And of course, everyone wants to own copyrights.
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It's much more fun to be the exception, not the rule
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The thing that Mike brings to the table is that he's a competitor. He plays hard every play. And he's willing to do anything we ask of him.
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How would you feel if your prayer requests were made public, displayed on a billboard or marquee? 'Dear Lord, make me famous. Make me rich.'
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I've developed an audience over the years and I don't want to loose them.
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My first few films were institutional comedies, and you're on pretty safe ground when you're dealing with an institution that vast numbers of people have experienced: college, summer camp, the military, the country club.
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By practice and experience a man can (if the wind be of the right strength) imitate the complete sailing flight of birds by availing himself of the slight upward trend of some winds, by performing circling sweeps, and by allowing the air to carry him.
