Manuel Puig Quotes
I locate that special problem in a character and then try to understand it. That's the genesis of all my work.
Quotes to Explore
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I don't keep people around me that aren't family. You don't get to stay. Unless you're eating at the table with us, you're not part. We eat together, we cry together, we live together, we die together. Everything that we do is for each other, and we care for another.
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I don't regret doing any of my films. All of them have been great learning experiences, and they have contributed to making me what I am today.
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I like to wear shoes that are cool but also practical. The same goes for bags. Your bag is a big deal in New York. You can't just carry around a little clutch, because you don't have a car or anywhere to stash things during the day, so you need to carry your whole life with you. That's why I like big, chunky bags with lots of compartments.
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As for the device we now call a TV or a cable box, I want it to be fast with a clean interface and seamlessly upgradeable to the latest software. I want it to be the primary source of all TV, not an ancillary device.
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Our guiding principle was that design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society.
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I love writers. All of my best friends are writers.
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A man must know how to fly in the face of opinion; a woman to submit to it.
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I'm really about my family and really proud of being a Carter.
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It is nasty. You can think that you know someone in this business and you really don't. You can be stabbed in the back very easily. You can be praised very easily. It doesn't matter who you are or what you do.
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I went swimming the other day and my wife was watching and she said, 'You know, it's funny, it's when you've got no clothes on, no one recognizes you.' I said, 'What are you saying? That I should do more love scenes?'
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Pfft, I hate Christmas Day. It's for children and families. Not for people like me.
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The lack of a consistent policy from major economies is the main source of volatility.
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
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I don't want to make games for 12-year-olds. I have no interest in that. I haven't been 12 in a long time.
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I'm not on Twitter, and I don't read the papers day to day, so I am somewhat protected. There's this weird separation between your private and public persona.
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Passivity is fatal to us. Our goal is to make the enemy passive.
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The right of every American to first-class citizenship is the most important issue of our time.
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Beauty is the promise of happiness.
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‘…Women I do not much care for myself - I prefer little Greek shepherd-boys…’
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When you've written long enough, you see that there's a common theme in your work.
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A lot of directors will do a certain amount of storyboarding and pre-vis, and yet when they get on the set, everything starts to change, and they have new ideas.
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I locate that special problem in a character and then try to understand it. That's the genesis of all my work.
