Robert Farrell Smith (Obert Skye) Quotes
Quotes to Explore
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Physical bravery is an animal instinct; moral bravery is much higher and truer courage.
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As human beings, we are the only organisms that create for the sheer stupid pleasure of doing so. Whether it's laying out a garden, composing a new tune on the piano, writing a bit of poetry, manipulating a digital photo, redecorating a room, or inventing a new chili recipe - we are happiest when we are creating.
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Nothing exists except through language.
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When attempting to make a plea for more peace in the world at a rock concert, we are reflecting the feelings of all those we have come in contact with so we may all have a better understanding of each other.
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Sometimes we misunderstand what films can do. We just throw a whole book in there, with people just talking, talking, and talking. The picture can tell, the frame can tell.
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A woman caring for her children; a woman striving to excel in the private sector; a woman partnering with her neighbors to make their street safer; a woman running for office to improve her country - they all have something to offer, and the more our societies empower women, the more we receive in return.
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Husbands and wives, first be faithful to each other. Second, keep the romance going all of your life by courting each other every day.
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I cannot even remember a time before being conscious of James Bond.
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I've done tons of Debbie Allen musicals. I was a dancer in 'Glee,' and I was a Laker girl for three months.
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In the theater, it's a visceral and physical response because you move around so much. You have to do something physical to pull you in. On TV or in movies, everything is so small. You can just lock into a character and ease yourself into that way.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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Something about 'Battlestar' that I didn't realize when I took the job was this whole bubble aspect of closing people in and seeing what they do.
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Mankind are governed more by their feelings than by reason.
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I think that we live in a highly specialized, technologically advanced society. Highly developed societies tend to have very remote understandings about what underlies our prosperity.
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I get so nervous before I go on stage that I can never eat very much, so I'm always completely starving afterwards and dying for a bowl of pasta.
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The season of failure is the best time for sowing the seeds of success.
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Basically, particularly in Britain, it's a hegemonic thing that people who write tend to come from the leisure classes. They can afford the time and the books.
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Employees that feel known and they feel like they know why their job matters and they have a sense of measuring it stay later, do extra work, and are committed to the organization above the requirements that they have.
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If you can serve everyone who visits you, you must be doing well in business.
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For me it was sort of career suicide to work in color, but I did it because I perceived myself from an early stage to be interested in seasonality - the changing of the seasons - that's what I deeply loved.
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We must draw on the unique strengths of the Japanese economy, seek an open and cooperative approach with our international partners, and intelligently exploit the promise of new growth areas.
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I had to get out of America to get a professional life going where I could actually make a living.
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I felt a great sense of indebtedness and responsibility to use the help that other people had given me to in turn help others and to use the opportunities that I had had in my life to really turn that around and to make an impact and to carry forth some of the issues that I believe are important to the future of our society.
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There is no relationship in life that comes with the promise of zero pain.
