Quentin L. Cook Quotes
Quotes to Explore
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We should cease thinking about men as the enemy of children and women.
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I received my money from the treasury, I used to very early to go the clubs, but when the burden of looking after my children came upon me I tried to live a quite life, and save as much as I could.
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These years after my liberation were years of reconstruction, and I think I made the right decisions... I mean, I lost everything: my life; my father died; I didn't know anything about my children.
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My motivation is my desire to help people. If people want to have children and cannot in the normal way, and I can do something about it, then I will do so.
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I had a world of people who were raising me; it was like a little village.
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Laughing and crying are very similar. They're an extreme response to life. You see it in children who start laughing hysterically.
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Children are educated by what the grown-up is and not by his talk.
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My grandparents never understood why my mother Noreen chose such exotic names for her children: Damon and me. My granny insisted on calling my brother Dermot - a good Irish name - until she died; I was just known as 'wee one.'
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If the kids did want to get into showbiz then so be it, but I would never project anything on to my children.
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The spark for 'In Praise of Slowness' came when I began reading to my children. Every parent knows that kids like their bedtime stories read at a gentle, meandering pace. But I used to be too fast to slow down with the Brothers Grimm. I would zoom through the classic fairy tales, skipping lines, paragraphs, whole pages.
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I'd love my children no matter what.
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Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
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Fairytales were never really meant for children; they were meant as cautionary tales for teenagers on the verge of growing up.
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I grew up in China, but I live in the U.S. and I want my children to understand what's going on over there. They ask me sometimes, 'Are we Chinese or Australians?' My family are in L.A., New York and China, and they have the freedom to go back and forth, which is really, really nice.
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We write not only for children but also for their parents. They, too, are serious children.
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Children, in a way, are constant learners. Certainly sponge-like. Absorbing everything without careful analysis, even though, at the same time, they are certainly capable of incredible insights.
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I went to a number of foreign countries, and during whenever I went, I would try to go to an orphanage or a home for children. And I was seeing thousands of kids around the world that needed homes.
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You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.
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We must carry Jesus in our hearts to wherever He wants to go, and there are many places to which He may never go unless we take Him to them. None of us knows when the loveliest hour of our life is striking. It may be when we take Christ for the first time to that grey office in the city where we work, to the wretched lodging of that poor man who is an outcast, to the nursery of that pampered child, to that battleship, airfield, or camp.
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I found the world extraordinarily strange, having first left home at 15.
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Even when I'm reading a script where I'm supposed to be looking at the lead role, I'll find myself gravitating toward some small weirdo in a few scenes instead. I'm very instinctive like that and I love the challenge of not having a lot of time to create someone who feels real.
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It is good to love the unknown.
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What we are speaks so loudly that our children might not hear what we say
