Sadie Frost (Sadie Liza Frost) Quotes
If the kids did want to get into showbiz then so be it, but I would never project anything on to my children.
Quotes to Explore
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I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments - augmenting their range as in those I used for my Equatorial - especially in the high range.
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I've never had to explain 'Prometheus' to people, ever. Most people get it.
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We need more children raised in the optimum situation, which is between a mom and a dad bonded together for life.
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If you're filming somebody doing something they really want to do, you're probably not very high on their list of problems to deal with. You see James Carville on the phone - he's like that whether you have a camera or not. He isn't doing it just for you, and that's hard to explain.
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One of the things I like best about Netflix is that they make projects like 'Beasts of No Nation.' It's a film about a reality in an African country where kids were being used to be soldiers in a war. And it made so much sense to me as a citizen of the world.
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I never read about photography.
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I naturally want to be provocative.
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I want to know that I gave my 100 percent, and even if it doesn't work, you know that you gave everything, and you don't have to look at it and say... I could have gave more - that would break my heart.
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I think that there's no doubt that as I see friends, families, children of gay couples who are thriving, you know, that has an impact on how I think about these issues.
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No one who knew Diana will ever forget her. Millions of others who never met her, but felt they knew her, will remember her.
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I want to play in the WBC. That was one of my goals to represent my country.
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Looking at acting, in the movies or the theater, and the way I like to look at it, it's just an extension of childhood play... Kids play and imagine in a very intense fashion and they don't need any director telling them, 'You really have to believe in it.' They believe in it completely.
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All the things that most kids hated, I loved. I loved that things were asked of me and that, much to my surprise, I was able to do them. I loved the 10 o'clock bedtime. I loved the responsibility.
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People know more about baseball players' contracts than they do about the policies that govern the fate of our children's lives in twenty years. Think about it. People used to say, the whole time I was growing up, 'Do you want to bring a child into this world?' That's pretty dire.
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A ton of kids at school have made fun of me; if I had to give advice to other girls, I would say, 'Hang loose and ignore them. They shouldn't faze you no matter how popular they think they are.'
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I loved working with kids, and kids are the most incredibly discerning audience. And if they don't believe you, they will tell you and let you know. I mean, kids is where it's at, really.
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I want the reader to turn the page and keep on turning until the end.
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I just never subscribed to the theory that at age 55, you fall off the face of the earth on the Tour. I always felt that was too young of an age for that.
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The whole experience on 'Grown Ups 2' was like going to adult summer camp.
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I don't know anybody that's not emotionally unstable or schizophrenic.
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Usually I approach to acting completely blindfolded. I read the script, I connect to the character, and then I try not to think about it too much until I'm there and I'm in wardrobe and I'm with the other actors and we're going through the scene once.
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I love to paint and beautify the most unexpected of places - I've painted everything from doorways to trains but have always wanted to do something really huge and different.
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Academic writing you have to get right. Fiction you have to get plausible. And there's a world of difference. In a way, if someone says this didn't feel exactly right, I don't care. But that is not okay to do in academia - it's not about feeling. You want to establish a pretty solid case. So did this allow me to express things differently? Absolutely. Another thing I've been thinking about as an academic: our writing style is expository, and in fiction, withholding information matters quite a bit. Withholding things in academia - there's no place for that!
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If the kids did want to get into showbiz then so be it, but I would never project anything on to my children.
