Carla Nazih al-Berkashi (Yara) Quotes
Quotes to Explore
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A novel is like a sausage. You might like the final taste but you don't want to see how it was made.
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I like writing about biology, not doing it.
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Hollywood is a place where they place you under contract instead of under observation.
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Rather than a big figure, I guess you could say I'm more of an influential minority symbol.
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The work with which we embark on this first volume of a series of theological studies is a work with which the philosophical person does not begin, but rather concludes.
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I'm so programmed to getting up early that I like to make the most of the day.
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When I need to cry, I think of very sad things, mostly about animals.
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I believe an international criminal court is very much to be desired.
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I spend a lot of time in California, but New York is still my main home. I go to see a lot of theater.
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Hibernation is a covert preparation for a more overt action.
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What we do want to see is reforms that are going to have a permanent effect on the budget deficit.
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Tragedy is a great storytelling form. It worked extremely well for Shakespeare. It worked extremely well for Jim Cameron with 'Titanic.'
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I don't act in the way other actresses act, in terms of building or creating a character. I don't transform myself into the role, I invest myself in the role.
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In this business you have to develop a thick skin, but I'm always going to feel everything. It's my nature.
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Running for Senate is a very involved process.
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Men love it. They have a sense of humor, whereas a lot of women are threatened or just don't get it.
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I don't preach or try to impress my views upon people.
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'Modern Family' is one of my favorite shows on television right now. I just think that show is so brilliantly done. It's so fun, I love it. Eric Stonestreet I could just sit and watch forever. They're all great. That would be on the top of my list.
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What an excellent horse do they lose, for want of address and boldness to manage him! … I could manage this horse better than others do.
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But then foreign critics right away made sweeping comparisons to haiku, noh theater, and directors like Ozu, as if the movie were somehow representative of Japan - which was, well, not what I was after. Similarly, with After Life, I deliberately set out to make a movie that was unlike what I imagined the foreign conception of Japan to be, and I figured non-Japanese wouldn't find it interesting at all.
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I have a big bias to the people who understand global aspects.
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I think the hardest person to love is yourself
