Rachel Carson Quotes
Science is part of the reality of living; it is the what, the how, and the why of everything in our experience.
Quotes to Explore
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So I went to English school, secondary English school, so forget going to Mecca for my religious education.
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I personally do not drink. To drink or not to is one's own choice. So long as it doesn't affect others, it is okay.
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When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
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I want people to remember me as a full on entertainer and a good person.
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I've overcome neglect and deprivation, abandonment and abuse.
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I can't go into a mob scene and sense the mood and the attitude of the crowd. I can't conduct man-on-the-street interviews or even get reactions that I can be sure are honest, because they know who I am.
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It's quite absurd to act against a smoke creature that is not there.
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It's nice to know when you're a part of a story, it's nice to know at least something about the beginning, middle, and end.
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Yes, I did feel a special responsibility to be the first American woman in space.
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'Marco Polo' had some negative reactions in the press. Viewers have loved it, and the volume of viewing has been phenomenal.
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Any powerful technology can be abused.
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I don't want to deal with big, grand themes in my stories; art has nothing to do with themes. When you deal with themes, you are not creating; you are lecturing.
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I remember in high school trying to get home from water-polo practice in time so I could see Happy Days on television when it first came on, because I was so blown away by it. It was just such a cool thing.
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I really hate drama. It's draining; it's mentally draining. It's a waste of time.
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I am a very active audience member. I want to be moved. I want to be confronted. I want to feel.
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I was watching the Danish version of 'The Killing' when I got the audition for 'The Fall,' and I loved it; it was so original. I approached 'The Fall' with that in mind. I'd no problem with the violence - it was very clear from the script how horrifying the crimes were and that had to be shown, without going to extremes.
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I came, I studied architecture in America, so my technical background's completely western. But my seventeen years, the formative years of one's life, and I can't say that the Chineseness in me is not there.
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When I run in Ethiopia, I look out and see eucalyptus trees and rivers.
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I was not a fan of the Bush administration, as I think many of us were not.
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All the proliferating falsifications of what I and everyone I know experienced once in what it is now so convenient to call the 'fifties' or 'sixties,' as if life was really measured or lived in arbitrary decades, when the history books are sold like comix.
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The major sweep of this book's living is too often marred by qualifying. It is hedged about with ifs and buts and if onlys and howevers, excuses for a life that is about to shut its covers for the last time and then crumple into dust in an unseen and never-to-be-remembered library.
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Science is part of the reality of living; it is the what, the how, and the why of everything in our experience.
