Said Sayrafiezadeh Quotes
[Ending] is partly drawn from a desire to shock the audience, to brutally de-romanticize what many Americans think is happening overseas. And partly drawn from my own childhood: violence and a loss of innocence. But keep in mind that, as a writer, I'm both the criminal and the victim. I'm not trying to get out of anything easy.
Quotes to Explore
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My boy and I move. We have this game where if we dress in a particular item of clothing, we have to do a different movement. A hat means 20 jumps - that sort of thing. When I put a scarf on, my son has to drop down and do push-ups, immediately. He thinks it's really funny.
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I loved getting to Chagrin Falls, being by the falls; what a cute place it is.
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Sometimes the better an actor is, the less he's noticed.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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We are all hungry and thirsty for concrete images. Abstract art will have been good for one thing: to restore its exact virginity to figurative art.
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The goal seems to me at times just to be business first.
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I've never necessarily chosen to be a bachelor. I've had girlfriends throughout the last 20 or 30 years. It's just that there were times when I met people that fascinated me and times I didn't.
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I didn't know I was compared to Elizabeth Montgomery, but I think that I'm in very good company with her.
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The work on ants has profoundly affected the way I think about humans.
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Playing and listening to music gives you a sense of fulfilment because you have to put everything in you at its disposal.
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Education is at the heart of achieving your dreams.
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My experience is that's rare - that you have a script that is... what they call 'film-ready.'
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I heard what was said of the universe, heard it and heard it of several thousand years; it is middling well as far as it goes - but is that all?
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How long should a man's legs be? Long enough to touch the ground.
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I think television scripts have become really intriguing and well-done. And writers have stopped drawing any actual line between film and television they used to never cross.
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In general, I tend to laugh too much. I always try to tell myself not to, but I think that's just part of getting through the job. It's not rocket science. I want to have a good time!
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As far as the Russians were concerned, I felt the reverse; they had adequate gold, if they wanted to buy, and they weren't dependent upon international trade. I felt they were more self-sufficient.
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I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
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For all the power of video and film, I am not giving up my pen. I am just much more likely to try to link essays to webcasts or videos. The best way for these two media to move forward, to inform and make change, is in tandem; together they are more than the sum of their parts.
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I love my fans very much. They give me the confidence to continue things in life.
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If you write a book that's as powerful and successful as 'Bastard,' there's a strong desire to prove there's something else.
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We tend to think that when we're awake, we're on, and when we're sleeping our mind is off, but actually, we're not off. There's a lot going on!
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The Christian Theology Reader brings the best primary sources to the theological inquirer.
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[Ending] is partly drawn from a desire to shock the audience, to brutally de-romanticize what many Americans think is happening overseas. And partly drawn from my own childhood: violence and a loss of innocence. But keep in mind that, as a writer, I'm both the criminal and the victim. I'm not trying to get out of anything easy.
